Upgradeversion: Setzt eine registrierte Lizenz Ableton Live Lite voraus
Alle Funktionen und Extras
Unbegrenzte Audio- und MIDI-Spuren
Unbegrenzte Szenen
12 Send- und Return-Spuren
256 Mono-Audio-Eingänge
256 Mono-Audio-Ausgänge
Capture MIDI
Complex-Warp-Modi
Audio Slicing
Audio to MIDI
Neu in Live 11:
Comping
Verknüpfte Spuren bearbeiten
MPE (MIDI Polyphonic Expression)
Wahrscheinlichkeit für Noten und Velocity-Werte
Dynamische Tempo-Anpassung
1800+ Sounds (10+ GB)
6 Software-Instrumente
36 Audio-Effekte
13 MIDI-Effekte
Live 11 Systemanforderungen
Windows
macOS
Windows 10 (Version 1909 und neuer)
Intel® Core™ i5-Prozessor oder AMD Multicore-Prozessor
8 GB RAM
Bildschirmauflösung: 1366x768
ASIO-kompatible Audio-Hardware für die Unterstützung von Link (und für optimale Audio-Performance)
Internetverbindung zur Autorisierung von Live. Für den Download zusätzlicher Inhalte und Live-Updates wird eine schnelle Internetverbindung empfohlen
3 GB Speicherplatz auf dem Systemlaufwerk für die grundlegende Installation (empfohlen: 8 GB freier Speicherplatz)
Bis zu 76 GB freier Speicherplatz für zusätzliche Sound-Inhalte
OS X 10.13 oder neuer
Intel® Core™ i5 Prozessor
8 GB RAM
Bildschirmauflösung: 1280x800
Core-Audio-kompatible Soundkarte empfohlen
Internetverbindung zur Autorisierung von Live. Für den Download zusätzlicher Inhalte und Live-Updates wird eine schnelle Internetverbindung empfohlen
3 GB Speicherplatz auf dem Systemlaufwerk für die grundlegende Installation (empfohlen: 8 GB freier Speicherplatz)
Bis zu 76 GB freier Speicherplatz für zusätzliche Sound-Inhalte
Upgradeversion: Setzt eine registrierte Lizenz Ableton Live Lite voraus
Komplett integriertes Studio:
Unbegrenzte Audio- und MIDI-Spuren
Unbegrenzte Szenen
12 Send- und Return-Spuren
256 Mono-Audio-Eingänge 256 Mono-Audio-Ausgänge
Capture MIDI
Complex-Warp-Modi
Audio Slicing
Audio to MIDI
Max for Live
Neu in Live 11:
Comping
Verknüpfte Spuren bearbeiten
MPE (MIDI Polyphonic Expression)
Wahrscheinlichkeit für Noten und Velocity-Werte
Dynamische Tempo-Anpassung
5000+ Sounds (70+ GB)
17 Software-Instrumente
59 Audio-Effekte
15 MIDI-Effekte
Live 11 Systemanforderungen
Windows
macOS
Windows 10 (Version 1909 und neuer)
Intel® Core™ i5-Prozessor oder AMD Multicore-Prozessor
8 GB RAM
Bildschirmauflösung: 1366x768
ASIO-kompatible Audio-Hardware für die Unterstützung von Link (und für optimale Audio-Performance)
Internetverbindung zur Autorisierung von Live. Für den Download zusätzlicher Inhalte und Live-Updates wird eine schnelle Internetverbindung empfohlen
3 GB Speicherplatz auf dem Systemlaufwerk für die grundlegende Installation (empfohlen: 8 GB freier Speicherplatz)
Bis zu 76 GB freier Speicherplatz für zusätzliche Sound-Inhalte
OS X 10.13 oder neuer
Intel® Core™ i5 Prozessor
8 GB RAM
Bildschirmauflösung: 1280x800
Core-Audio-kompatible Soundkarte empfohlen
Internetverbindung zur Autorisierung von Live. Für den Download zusätzlicher Inhalte und Live-Updates wird eine schnelle Internetverbindung empfohlen
3 GB Speicherplatz auf dem Systemlaufwerk für die grundlegende Installation (empfohlen: 8 GB freier Speicherplatz)
Bis zu 76 GB freier Speicherplatz für zusätzliche Sound-Inhalte
applies to all versions
Grammy Award-winning technology
exceptionally musical and intuitive note-based way of working
the algorithms Melodic (with Sibilant Detection), Percussive and Universal
the complete Melodyne toolkit
macros for optimizing intonation, timing quantization, and leveling
the Chord Track and Chord Grid with automatic chord recognition
tempo detection
inspectors for quick access to all parameters
full compatibility: VST 3, AU, AAX, stand-alone
integration via ARA Audio Random Access (depending on the DAW)
macOS and Windows, 64-bit
current version: 5
Note-based audio editing
Melodyne grants you unrivaled access to all the musical details in your recordings and samples – note by note. This is made possible by a sophisticated analysis that delves deeply into your recordings and samples, and recognizes and understands the musical relationships within them: the individual notes and their characteristics, the scales, keys and chords, the timing, the tempo, the tone color. And with Melodyne you can edit all these things intuitively. With vocals, but every type of instrument as well – including polyphonic ones, such as the piano and guitar.
New in Melodyne 5:
New technologies, for better results in less time. Thanks to the fundamentally improved “Melodic” algorithm, Melodyne makes your vocal editing even better than before. With perfect, natural corrections at the press of a key. Thanks to the Chord Track, you can adapt notes with lightning speed to suit the song – chord recognition included. And with the unique Fade Tool, you can create note-based fades – even in polyphonic recordings and samples.
All this is new:
the ability to edit pitched and noise-like components separately with the “Melodic” algorithm
a more musical analysis of pitch deviations
the Chord Track and Chord Grid for pitch editing, chord recognition
the Fade Tool and Leveling Macro for editing dynamics
an additional algorithm (“Percussive Pitched”) plus other algorithm improvements
search functions for keyboard shortcuts, saving of shortcut sets
applies to all versions
Grammy Award-winning technology
exceptionally musical and intuitive note-based way of working
the algorithms Melodic (with Sibilant Detection), Percussive and Universal
the complete Melodyne toolkit
macros for optimizing intonation, timing quantization, and leveling
the Chord Track and Chord Grid with automatic chord recognition
tempo detection
inspectors for quick access to all parameters
full compatibility: VST 3, AU, AAX, stand-alone
integration via ARA Audio Random Access (depending on the DAW)
macOS and Windows, 64-bit
current version: 5
Note-based audio editing
Melodyne grants you unrivaled access to all the musical details in your recordings and samples – note by note. This is made possible by a sophisticated analysis that delves deeply into your recordings and samples, and recognizes and understands the musical relationships within them: the individual notes and their characteristics, the scales, keys and chords, the timing, the tempo, the tone color. And with Melodyne you can edit all these things intuitively. With vocals, but every type of instrument as well – including polyphonic ones, such as the piano and guitar.
New in Melodyne 5:
New technologies, for better results in less time. Thanks to the fundamentally improved “Melodic” algorithm, Melodyne makes your vocal editing even better than before. With perfect, natural corrections at the press of a key. Thanks to the Chord Track, you can adapt notes with lightning speed to suit the song – chord recognition included. And with the unique Fade Tool, you can create note-based fades – even in polyphonic recordings and samples.
All this is new:
the ability to edit pitched and noise-like components separately with the “Melodic” algorithm
a more musical analysis of pitch deviations
the Chord Track and Chord Grid for pitch editing, chord recognition
the Fade Tool and Leveling Macro for editing dynamics
an additional algorithm (“Percussive Pitched”) plus other algorithm improvements
search functions for keyboard shortcuts, saving of shortcut sets
Applies to all versions
Grammy Award-winning technology, including DNA Direct Note Access
exceptionally musical and intuitive note-based way of working
the algorithms Melodic (with Sibilant Detection), Percussive, Universal, Polyphonic
the complete Melodyne toolkit
macros for optimizing intonation, timing quantization, and leveling
the Chord Track and Chord Grid with automatic chord recognition
tempo detection and editing
comprehensive functions for the editing of scales, tuning systems and temperaments
inspectors for quick access to all parameters
polyphonic audio-to-MIDI export
full compatibility: VST 3, AU, AAX, stand-alone
integration via ARA Audio Random Access (depending on the DAW)
macOS and Windows, 64-bit
current version: 5
Note-based audio editing
Melodyne grants you unrivaled access to all the musical details in your recordings and samples – note by note. This is made possible by a sophisticated analysis that delves deeply into your recordings and samples, and recognizes and understands the musical relationships within them: the individual notes and their characteristics, the scales, keys and chords, the timing, the tempo, the tone color. And with Melodyne you can edit all these things intuitively. With vocals, but every type of instrument as well – including polyphonic ones, such as the piano and guitar.
New in Melodyne 5:
New technologies, for better results in less time. Thanks to the fundamentally improved “Melodic” algorithm, Melodyne makes your vocal editing even better than before. With perfect, natural corrections at the press of a key. Thanks to the Chord Track, you can adapt notes with lightning speed to suit the song – chord recognition included. And with the unique Fade Tool, you can create note-based fades – even in polyphonic recordings and samples.
All this is new:
the ability to edit pitched and noise-like components separately with the “Melodic” algorithm
a more musical analysis of pitch deviations
the Chord Track and Chord Grid for pitch editing, chord recognition
the Fade Tool and Leveling Macro for editing dynamics
an additional algorithm (“Percussive Pitched”) plus other algorithm improvements
search functions for keyboard shortcuts, saving of shortcut sets
Applies to all versions
Grammy Award-winning technology, including DNA Direct Note Access
exceptionally musical and intuitive note-based way of working
the algorithms Melodic (with Sibilant Detection), Percussive, Universal, Polyphonic
the complete Melodyne toolkit
macros for optimizing intonation, timing quantization, and leveling
the Chord Track and Chord Grid with automatic chord recognition
tempo detection and editing
comprehensive functions for the editing of scales, tuning systems and temperaments
inspectors for quick access to all parameters
polyphonic audio-to-MIDI export
full compatibility: VST 3, AU, AAX, stand-alone
integration via ARA Audio Random Access (depending on the DAW)
macOS and Windows, 64-bit
current version: 5
Note-based audio editing
Melodyne grants you unrivaled access to all the musical details in your recordings and samples – note by note. This is made possible by a sophisticated analysis that delves deeply into your recordings and samples, and recognizes and understands the musical relationships within them: the individual notes and their characteristics, the scales, keys and chords, the timing, the tempo, the tone color. And with Melodyne you can edit all these things intuitively. With vocals, but every type of instrument as well – including polyphonic ones, such as the piano and guitar.
New in Melodyne 5:
New technologies, for better results in less time. Thanks to the fundamentally improved “Melodic” algorithm, Melodyne makes your vocal editing even better than before. With perfect, natural corrections at the press of a key. Thanks to the Chord Track, you can adapt notes with lightning speed to suit the song – chord recognition included. And with the unique Fade Tool, you can create note-based fades – even in polyphonic recordings and samples.
All this is new:
the ability to edit pitched and noise-like components separately with the “Melodic” algorithm
a more musical analysis of pitch deviations
the Chord Track and Chord Grid for pitch editing, chord recognition
the Fade Tool and Leveling Macro for editing dynamics
an additional algorithm (“Percussive Pitched”) plus other algorithm improvements
search functions for keyboard shortcuts, saving of shortcut sets
Applies to all versions
Grammy Award-winning technology, including DNA Direct Note Access
exceptionally musical and intuitive note-based way of working
the algorithms Melodic (with Sibilant Detection), Percussive, Universal, Polyphonic
the complete Melodyne toolkit
macros for optimizing intonation, timing quantization, and leveling
the Chord Track and Chord Grid with automatic chord recognition
tempo detection and editing
comprehensive functions for the editing of scales, tuning systems and temperaments
inspectors for quick access to all parameters
polyphonic audio-to-MIDI export
full compatibility: VST 3, AU, AAX, stand-alone
integration via ARA Audio Random Access (depending on the DAW)
macOS and Windows, 64-bit
current version: 5
Note-based audio editing
Melodyne grants you unrivaled access to all the musical details in your recordings and samples – note by note. This is made possible by a sophisticated analysis that delves deeply into your recordings and samples, and recognizes and understands the musical relationships within them: the individual notes and their characteristics, the scales, keys and chords, the timing, the tempo, the tone color. And with Melodyne you can edit all these things intuitively. With vocals, but every type of instrument as well – including polyphonic ones, such as the piano and guitar.
New in Melodyne 5:
New technologies, for better results in less time. Thanks to the fundamentally improved “Melodic” algorithm, Melodyne makes your vocal editing even better than before. With perfect, natural corrections at the press of a key. Thanks to the Chord Track, you can adapt notes with lightning speed to suit the song – chord recognition included. And with the unique Fade Tool, you can create note-based fades – even in polyphonic recordings and samples.
All this is new:
the ability to edit pitched and noise-like components separately with the “Melodic” algorithm
a more musical analysis of pitch deviations
the Chord Track and Chord Grid for pitch editing, chord recognition
the Fade Tool and Leveling Macro for editing dynamics
an additional algorithm (“Percussive Pitched”) plus other algorithm improvements
search functions for keyboard shortcuts, saving of shortcut sets
Grammy Award-winning technology, including DNA Direct Note Access
exceptionally musical and intuitive note-based way of working
the algorithms Melodic (with Sibilant Detection), Percussive, Universal, Polyphonic
Multitrack Note Editing – edit multiple tracks in a single Melodyne window
the complete Melodyne toolkit
macros for correcting intonation, timing quantization and leveling - even across tracks
the Chord Track and Chord Grid with automatic chord recognition
tempo detection and editing
the Sound Editor, offering unique control over tone colors
comprehensive functions for the editing of scales, tuning systems and temperaments
inspectors for quick access to all parameters
polyphonic audio-to-MIDI export
full compatibility: VST 3, AU, AAX, stand-alone
integration via ARA Audio Random Access (depending on the DAW)
macOS and Windows, 64-bit
current version: 5
Note-based audio editing
Melodyne grants you unrivaled access to all the musical details in your recordings and samples – note by note. This is made possible by a sophisticated analysis that delves deeply into your recordings and samples, and recognizes and understands the musical relationships within them: the individual notes and their characteristics, the scales, keys and chords, the timing, the tempo, the tone color. And with Melodyne you can edit all these things intuitively. With vocals, but every type of instrument as well – including polyphonic ones, such as the piano and guitar.
New in Melodyne 5:
New technologies, for better results in less time. Thanks to the fundamentally improved “Melodic” algorithm, Melodyne makes your vocal editing even better than before. With perfect, natural corrections at the press of a key. Thanks to the Chord Track, you can adapt notes with lightning speed to suit the song – chord recognition included. And with the unique Fade Tool, you can create note-based fades – even in polyphonic recordings and samples.
All this is new:
the ability to edit pitched and noise-like components separately with the “Melodic” algorithm
a more musical analysis of pitch deviations
the Chord Track and Chord Grid for pitch editing, chord recognition
the Fade Tool and Leveling Macro for editing dynamics
an additional algorithm (“Percussive Pitched”) plus other algorithm improvements
search functions for keyboard shortcuts, saving of shortcut sets
Grammy Award-winning technology, including DNA Direct Note Access
exceptionally musical and intuitive note-based way of working
the algorithms Melodic (with Sibilant Detection), Percussive, Universal, Polyphonic
Multitrack Note Editing – edit multiple tracks in a single Melodyne window
the complete Melodyne toolkit
macros for correcting intonation, timing quantization and leveling - even across tracks
the Chord Track and Chord Grid with automatic chord recognition
tempo detection and editing
the Sound Editor, offering unique control over tone colors
comprehensive functions for the editing of scales, tuning systems and temperaments
inspectors for quick access to all parameters
polyphonic audio-to-MIDI export
full compatibility: VST 3, AU, AAX, stand-alone
integration via ARA Audio Random Access (depending on the DAW)
macOS and Windows, 64-bit
current version: 5
Note-based audio editing
Melodyne grants you unrivaled access to all the musical details in your recordings and samples – note by note. This is made possible by a sophisticated analysis that delves deeply into your recordings and samples, and recognizes and understands the musical relationships within them: the individual notes and their characteristics, the scales, keys and chords, the timing, the tempo, the tone color. And with Melodyne you can edit all these things intuitively. With vocals, but every type of instrument as well – including polyphonic ones, such as the piano and guitar.
New in Melodyne 5:
New technologies, for better results in less time. Thanks to the fundamentally improved “Melodic” algorithm, Melodyne makes your vocal editing even better than before. With perfect, natural corrections at the press of a key. Thanks to the Chord Track, you can adapt notes with lightning speed to suit the song – chord recognition included. And with the unique Fade Tool, you can create note-based fades – even in polyphonic recordings and samples.
All this is new:
the ability to edit pitched and noise-like components separately with the “Melodic” algorithm
a more musical analysis of pitch deviations
the Chord Track and Chord Grid for pitch editing, chord recognition
the Fade Tool and Leveling Macro for editing dynamics
an additional algorithm (“Percussive Pitched”) plus other algorithm improvements
search functions for keyboard shortcuts, saving of shortcut sets
Applies to all versions
Grammy Award-winning technology, including DNA Direct Note Access
exceptionally musical and intuitive note-based way of working
the algorithms Melodic (with Sibilant Detection), Percussive, Universal, Polyphonic
Multitrack Note Editing – edit multiple tracks in a single Melodyne window
the complete Melodyne toolkit
macros for correcting intonation, timing quantization and leveling - even across tracks
the Chord Track and Chord Grid with automatic chord recognition
tempo detection and editing
the Sound Editor, offering unique control over tone colors
comprehensive functions for the editing of scales, tuning systems and temperaments
inspectors for quick access to all parameters
polyphonic audio-to-MIDI export
full compatibility: VST 3, AU, AAX, stand-alone
integration via ARA Audio Random Access (depending on the DAW)
macOS and Windows, 64-bit
current version: 5
Note-based audio editing
Melodyne grants you unrivaled access to all the musical details in your recordings and samples – note by note. This is made possible by a sophisticated analysis that delves deeply into your recordings and samples, and recognizes and understands the musical relationships within them: the individual notes and their characteristics, the scales, keys and chords, the timing, the tempo, the tone color. And with Melodyne you can edit all these things intuitively. With vocals, but every type of instrument as well – including polyphonic ones, such as the piano and guitar.
New in Melodyne 5:
New technologies, for better results in less time. Thanks to the fundamentally improved “Melodic” algorithm, Melodyne makes your vocal editing even better than before. With perfect, natural corrections at the press of a key. Thanks to the Chord Track, you can adapt notes with lightning speed to suit the song – chord recognition included. And with the unique Fade Tool, you can create note-based fades – even in polyphonic recordings and samples.
All this is new:
the ability to edit pitched and noise-like components separately with the “Melodic” algorithm
a more musical analysis of pitch deviations
the Chord Track and Chord Grid for pitch editing, chord recognition
the Fade Tool and Leveling Macro for editing dynamics
an additional algorithm (“Percussive Pitched”) plus other algorithm improvements
search functions for keyboard shortcuts, saving of shortcut sets
Applies to all versions
Grammy Award-winning technology, including DNA Direct Note Access
exceptionally musical and intuitive note-based way of working
the algorithms Melodic (with Sibilant Detection), Percussive, Universal, Polyphonic
Multitrack Note Editing – edit multiple tracks in a single Melodyne window
the complete Melodyne toolkit
macros for correcting intonation, timing quantization and leveling - even across tracks
the Chord Track and Chord Grid with automatic chord recognition
tempo detection and editing
the Sound Editor, offering unique control over tone colors
comprehensive functions for the editing of scales, tuning systems and temperaments
inspectors for quick access to all parameters
polyphonic audio-to-MIDI export
full compatibility: VST 3, AU, AAX, stand-alone
integration via ARA Audio Random Access (depending on the DAW)
macOS and Windows, 64-bit
current version: 5
Note-based audio editing
Melodyne grants you unrivaled access to all the musical details in your recordings and samples – note by note. This is made possible by a sophisticated analysis that delves deeply into your recordings and samples, and recognizes and understands the musical relationships within them: the individual notes and their characteristics, the scales, keys and chords, the timing, the tempo, the tone color. And with Melodyne you can edit all these things intuitively. With vocals, but every type of instrument as well – including polyphonic ones, such as the piano and guitar.
New in Melodyne 5:
New technologies, for better results in less time. Thanks to the fundamentally improved “Melodic” algorithm, Melodyne makes your vocal editing even better than before. With perfect, natural corrections at the press of a key. Thanks to the Chord Track, you can adapt notes with lightning speed to suit the song – chord recognition included. And with the unique Fade Tool, you can create note-based fades – even in polyphonic recordings and samples.
All this is new:
the ability to edit pitched and noise-like components separately with the “Melodic” algorithm
a more musical analysis of pitch deviations
the Chord Track and Chord Grid for pitch editing, chord recognition
the Fade Tool and Leveling Macro for editing dynamics
an additional algorithm (“Percussive Pitched”) plus other algorithm improvements
search functions for keyboard shortcuts, saving of shortcut sets
Applies to all versions
Grammy Award-winning technology, including DNA Direct Note Access
exceptionally musical and intuitive note-based way of working
the algorithms Melodic (with Sibilant Detection), Percussive, Universal, Polyphonic
Multitrack Note Editing – edit multiple tracks in a single Melodyne window
the complete Melodyne toolkit
macros for correcting intonation, timing quantization and leveling - even across tracks
the Chord Track and Chord Grid with automatic chord recognition
tempo detection and editing
the Sound Editor, offering unique control over tone colors
comprehensive functions for the editing of scales, tuning systems and temperaments
inspectors for quick access to all parameters
polyphonic audio-to-MIDI export
full compatibility: VST 3, AU, AAX, stand-alone
integration via ARA Audio Random Access (depending on the DAW)
macOS and Windows, 64-bit
current version: 5
Note-based audio editing
Melodyne grants you unrivaled access to all the musical details in your recordings and samples – note by note. This is made possible by a sophisticated analysis that delves deeply into your recordings and samples, and recognizes and understands the musical relationships within them: the individual notes and their characteristics, the scales, keys and chords, the timing, the tempo, the tone color. And with Melodyne you can edit all these things intuitively. With vocals, but every type of instrument as well – including polyphonic ones, such as the piano and guitar.
New in Melodyne 5:
New technologies, for better results in less time. Thanks to the fundamentally improved “Melodic” algorithm, Melodyne makes your vocal editing even better than before. With perfect, natural corrections at the press of a key. Thanks to the Chord Track, you can adapt notes with lightning speed to suit the song – chord recognition included. And with the unique Fade Tool, you can create note-based fades – even in polyphonic recordings and samples.
All this is new:
the ability to edit pitched and noise-like components separately with the “Melodic” algorithm
a more musical analysis of pitch deviations
the Chord Track and Chord Grid for pitch editing, chord recognition
the Fade Tool and Leveling Macro for editing dynamics
an additional algorithm (“Percussive Pitched”) plus other algorithm improvements
search functions for keyboard shortcuts, saving of shortcut sets
Your Room Is Now Ready
The advanced room correction system just got even more advanced
ARC System 2 (Advanced Room Correction) is the sequel of the first and only acoustic correction system that combines a measurement microphone, measurement software AND a correction plug-in to improve the sound reliability and acoustics of your studio in an elegant, low-cost portable solution.
Trust your ears
ARC takes your room out of the mix...
ARC uses Audyssey MultEQ® XT32 patented technology to improve your monitoring system so what you hear is not affected by distortions caused by room acoustics. Near field monitor systems used in studio applications are designed to deliver sound without distortion or coloration. However when they are placed in a room, surrounding walls, ceiling, furniture, and other objects reflect and absorb sounds, creating complex distortions specific to that room. This ultimately causes them to lose the accuracy they have been designed for, and you end up hearing more of the sound of the room, than the music actually being produced.
A break-through affordable solution for acoustic room correction
Traditionally studio acoustics can be improved using acoustic treatments – but these are generally very expensive and require professional installations – which is often not practical in many of today's home and project studio. Other types of electronic correction systems use some form of equalization that works only on the frequency response of the room but worsen the phase response of what you are hearing. ARC System 2 solves all these problems elegantly, with a unique, innovative DAW-based solution that works both in the frequency/time domain and is not affected by any of the drawbacks of other type of correction systems.
Do you need ARC 2 if your room is already treated?
ARC 2 can improve the acoustics of ANY room. An untreated room will experience a dramatic improvement – but also treated rooms will sound better depending on the quality of the existing treatment. Many of ARC 2 improvements make it more effective in a wide spectrum of applications — from amateur bedroom studios to the most high-end professionally treated studios.
Features:
New in Version 2:
The first DAW-based acoustic room correction plug-in
Includes a measurement microphone, software and correction plug-in
Based on Audyssey MultEQ® XT32 patented technology that corrects frequency and phase distortions in multiple room points
Improves clarity, stereo imaging and frequency response for faster, more reliable mixing
Improves the sound of any room - from bedroom studio to high-end control rooms
Step by step measurement set-up can be made by anyone
Perfect for the traveling engineer and on-the-spot corrections
64-bit native plug-in compatibility
Completely redesigned interface for improved usability
Four times greater resolution improves critical low-end response
Smoother, more natural sound in the midrange and high frequencies
New combined L/R correction option maintains perfect focus with symmetrical control rooms
New customizable target curves allows to match engineers' personal taste
New "Virtual Monitoring" feature mimics the sound of various listening devices like popular studio monitors, car systems, boom boxes, etc. allowing to the test of how mixes translate on different systems
New Monitor Control panel interface streamlines workflow
Fewer measurements now get higher quality results and shortens set-up time
Measurements can be saved and used for multiple correction set-ups
How it works
Correct your room in 2 easy steps
With ARC anybody can correct a studio's acoustics in 2 easy steps. First you measure your room acoustics specified places with the included calibrated measurement microphone and software. ARC 2 allows you to take from 7 to 16 different measurements, depending upon the room size and your desired level of correction.
These measurements give the ARC 2 plug-in software the information it needs to accurately correct the entire room, not just the engineer's "sweet spot." Then, once measurements are taken, ARC 2 automatically calculates a correction algorithm that you can apply to your music with the included plug-in, placing it on your DAW master BUS. Using ARC 2 you can record and mix with confidence, knowing what you hear is not affected by the acoustic of your room. Once you are ready for your mix down, disable the plug-in, export your file and voila', your final mixes will have been made in the most accurate monitoring environment and your music will translate better to the outside world.
Measurement
Correction
A professional microphone, not just for measurement
ARC 2 includes an omnidirectional, calibrated microphone that provides a transparent colorless, ultra-linear characteristic. When you are finished with your room measurements, it can be a valuable asset for capturing acoustic instruments such as pianos, guitars, strings or any other source where high-fidelity without coloration is required.
A truly new listening experience
When you experience ARC 2 the perspective of what you are recording, mixing or mastering becomes immediately more clear and reliable. Low-end alterations, typically added by small rooms, will be removed giving you better control on low frequencies. You will also have a more consistent frequency response across the entire spectrum, and the tonal balance will be restored, allowing you to get more accurate mixes. Room defects will no longer capture your attention so you will work on your music faster with less ear fatigue, and greater consistency on your final music productions.
What's new in version 2
With thousands of installations since 2007, ARC systems have been put to use in every possible real-world situation. This experience and feedback from users all over the world has allowed the development of an even more accurate MultEQ technology (The MultEQ® XT32) that provides an even higher resolution EQ adjustment, especially in the extreme lower frequencies where correction is usually needed the most. ARC 2 also provides more natural and smooth midrange and high frequency performance, a combined L/R correction for high-quality control room optimization, and customizable target curves so you can shape the final response of your monitors. All of these new features are nicely packaged in a completely new interface featuring a new Monitor panel interface for even more control.
Better Correction - 4X greater resolution at low frequencies
The new improved low-frequency resolution is now 4x better, (from 40 Hz down to 10 Hz) and effectively flattens the low-end response in the most uneven room.
More natural sound in mid and high frequencies
ARC 2 improves the correction in the mid and high frequency ranges, making the correction process totally transparent – but with clearer and more precise response. You can now completely rely on what a speaker-set corrected with ARC 2 is delivering, even in the most demanding studio environments with extremely high quality speakers and state-of-the-art rooms.
Combined Left and Right correction
This new feature of ARC 2 improves the correction in high-end control rooms where the left and right monitors are positioned with absolute precise symmetry, improving the stereo image focus when working with elements panned dead-center in the mix - like vocals, bass, snare and so on.
Adjustment for Your Hearing
Many users have requested the ability to adjust and/or trim the frequency response with gentle wideband adjustments to accommodate the way their hearing is already subtly adapted to the irregularities of their room. This feature is now available in ARC 2.
Mix for Multiple Devices
With the new included "Virtual Monitoring" feature you can intentionally shape the sound of the monitoring setup to match devices like LCD TVs, car audio systems, small radios, etc. This way you can quickly listen to your mix on other "virtual" band-limited systems to ensure a perfect sound translation.
New Monitor Control panel
The new Monitor Control panel provides you with the most frequently used control features: a big main volume knob to set your listening level, a DIM switch with an adjustable level, a MUTE switch and a listening "MODE" selector which can be toggled between standard Stereo, Mono or Side for quick reference checks. This added collection of tools creates a familiar, flexible "Control Room" workflow style for a superior listening experience and improved accuracy in mixing/mastering applications.
Streamlined measurement process
Now only 7 measurements are needed (down from 12) to calculate accurate corrections for your listening environment. Taking more measurements is still possible (and recommended -up to 16), as this leads to an even more precise response, but the new MultEQ® XT32 algorithm provides greater resolution with fewer measurements allowing you to get a better degree of accuracy.
BPM 1.5 New FeaturesBPM 1.5 adds many new features, plus 4 GB of additional sounds for over 19 GB of included kits, patterns, loops, and samples.
Beat Box Anthology
TR 808…LinnDrum…SP1200… Iconic rhythm machines from decades past that brought us legendary sounds that still drive today's beats. BPM 1.5 delivers the sounds of 80 such classic machines from the 1970's, 80's and 90's — a massive 4 GB collection of legacy rhythm sounds, combined with BPM's updated 1.5 library, for an unprecedented 19 GB, by far the most extensive rhythm sound library available.
More musical styles
Updated soundbanks deliver kits, patterns and sounds for many additional musical styles, including big beat, dancehall, dub, electro, jungle, hard trance, house, jungle-drum bass, minimal, progressive, vinylized and others. With BPM's FlexLoop™ technology, you control every loop element, from individual samples to FX parameters. Combine kits and patterns from each style to create unique hybrid beats.
Customized control
How you play your instrument is how you express yourself as a musical artist. That's why BPM lets you use the MIDI controller of your choice. It needs to feel right. Be right. Just for you. BPM Version 1.5 goes further by letting you customize how it responds to your pad controller, MIDI keyboard, or other controller, so that your flow is BPM's flow, and BPM flows with you.
Note repeat
Choose any note repeat value, from triplet 64ths to dotted quarters to 32x. Assign the note repeat button to any control item on your MIDI controller. Change the repeat value on the fly from your controller. Control the volume (velocity) of repeated notes with aftertouch pressure. This is rhythm programming they way it should be: live, dynamic, and customizable.
MIDI Select
The new MIDI Select feature gives you direct access to each pad — up to 64 simultaneous pads per scene — for quick editing and tweaking directly from your MIDI controller. Need to tweak the filter cutoff on the crash cymbal? Play the pad, tweak the filter, done.
Bank aux FX
When creating your own banks of sounds, the new Bank Aux FX feature lets you program and save effects such as delays, reverb, filters, and any of BPM's dozens of included effects together with the bank itself, so that the next time you load the kit, the effects load with it.
BPM 1.5 upgrade package
The BPM 1.5 upgrade package includes:
BPM 1.5 installer CD
Updated BPM 1.5 soundbank DVDs
New Beat Box Anthology soundbank DVD
Beat Box Anthology iLok auth key code
Specifications:
Plug-in formats
MAS
AU
RTAS
VST
standalone application
Operating Systems
Mac OS X - v10.4, v10.5, or v10.6
Windows - 7, Vista, or XP; 32 or 64 bit
Electric Keys is a cross-platform virtual instrument that delivers authentic sounds of 50 classic, vintage electric keyboard instruments from the last 40 years. This massive 40GB sound library includes over 20,000 meticulously crafted 24-bit 96 kHz multi-samples of legendary electric pianos, electric organs, clavinets, Wurlitzers, tape samplers, string machines, keyboard basses and other rare and exotic electric keyboard instruments.Electric Keys puts a slice of music history at your fingertips in the form of classic and rare electric keyboard instrument sounds, said Jim Cooper, Director of Marketing for MOTU. You can play all those familiar electric keyboard riffs you know so well from the last four decades of rock, pop, funk and jazz, plus you get an intriguing assortment of rare and exotic keyboard sounds that are sure to delight even vintage keyboard devotees. We carefully recorded and mastered the samples to the very highest standards for use in live performance and recording projects of any kind.Fifty well-preserved and maintained vintage instruments were used to create the sounds in Electric Keys, including models from Fender, Yamaha, Korg, Roland, Hammond, Wurlitzer, Hohner, Elka, Farfisa, Mellotron, Moog, RMI, Arp and others. Most instrument samples are supplied at 24-bit 96 kHz resolution, but they can be played at any standard sample rate via Electric Keys' flexible 32-bit UVI playback engine. Presets consist of carefully crafted multi-samples with multiple velocities, layers and/or release samples, depending on the instrument. Samples are streamed from disk, so even large presets load quickly and conserve computer memory. Sounds are organized in 12 banks, each with its own authentic look ("skin"), allowing users to install on their hard drive only the banks they wish to use. Electric Keys presets can be loaded into MachFive 2 for advanced sound design and layering.Most instrument samples are supplied at 24-bit 96 kHz resolution, but they can be played at any standard sample rate via Electric Keys' flexible 32-bit UVI playback engine. Presets consist of carefully crafted multi-samples with multiple velocities, layers and/or release samples, depending on the instrument. Samples are streamed from disk, so even large presets load quickly and conserve computer memory. Sounds are organized in 12 banks, each with its own authentic look ("skin"), allowing users to install on their hard drive only the banks they wish to use. Electric Keys presets can be loaded into MachFive 2 for advanced sound design and layering.A simple and attractive software interfaceThe Electric Keys window offers a few simple controls, including volume, pan, tone and tremolo settings, along with two preset slots, which allow users to layer two sounds using the convenient multi-column preset browser. When a preset loads, the background displays the "skin" for the corresponding bank, but the controls and their operation remain the same, regardless of the unique look and feel for each bank. Once one or two sounds are loaded, the user can simply play, adjusting parameters as desired, while CPU-efficient 256-note polyphony ensures that notes are never cut off due to voice-stealing.All parameters can be automated via convenient "MIDI learn", where the user can simply right-click any control to assign any MIDI controller. Users can load and save "combis" consisting of a snapshot of the entire plug-in, including effects. Combis can be shared among plug-in formats and the stand-alone version — even across computer platforms. Dozens of factory presets and combis are supplied.Separate multi-effects rackUsers can click the FX button to open the FX-Rack, which is a separate window with eight effects that can be applied individually or in combination as a multi-effect to any preset. Effects include amp simulation, filter, chorus, flanger, phaser, UVinyl (to add "wear and tear"), delay and reverb. Since effects can be loaded, created and saved independently of instrument presets, it is easy to mix and match effects with presets, allowing users to experiment with practically infinite combinations. All effects parameters can be automated with one-click "MIDI Learn" CC assignments.Specifications
Massive 40GB electric keyboard sound library with over 20,000 samples
Comprehensive collection of 50 classic, rare and exotic electric keyboards from the last 40 years
Includes electric pianos, electric organs, clavs, tape samplers, string machines and other models
Includes both classic instruments heard on countless hit recordings and rare instruments never before offered in sampled form
11 instrument categories with easy operation and beatifully rendered, authentic look and feel
Nearly all instruments sampled at 24-bit 96kHz resolution
Authentic multi-samples carefully crafted and customized for each instrument
Virtual effects rack — separate multi-FX presets allow thousands of FX/instrument combinations
Individual effect include Delay, Reverb, Filter, Phaser, Flanger, Chorus, Vinyl simulator, and Amp simulator.
Provides dozens of factory presets, or create, save, and recall your own for unlimited textures
Combis - save complex variations of the factory presets, choose from hundreds of included combis, or create, save, load and share your own for unlimited layering possibilities
Individual controls for each instrument, including ADSR envelope, LFO (for tremolo and auto-pan), tone controls, tuning and velocity response
Superb sound quality with the 32-bit UVI Engine
Disk streaming for fast preset loading
256-note polyphony & ultra-low software latency
Two sound slots to create layers and splits in seconds
MIDI Learn for all controls for hands-on operation
MachFive 2 compatible for unified operation — library loads directly into MachFive for consolidated project management
Plug-in formats
MAS
AU
RTAS
VST
DXi
standalone application
Operating Systems
Mac OS X - 10.4 or higher
Windows - XP or Vista, 32 or 64 bit
Beauty and brawnDesigned to inspire. Engineered to astound.Within minutes after you begin using MachFive 3, you'll appreciate the years of user interface design and engineering that have gone into this 3rd-generation release. From the configurable part list to the full-screen envelope editor, MachFive 3 has been designed to spur your creative muse while delivering state-of-the-art virtual instrument technology in a streamlined, efficient environment. After all, music, sound design, and audio production are creative endeavors that deserve a worthy partner in creativity.Scripting engineInstead of guitar presets, you get a guitar player…Compared to a typical software instrument, MachFive's scripted virtual instruments are like the difference between a simple guitar preset and a real guitar player. MachFive's sophisticated instruments are truly technological marvels: they model not only the sounds of an instrument, in minute detail, but also the playing characteristics. For example, MachFive's included Telematic electric guitar instrument models strumming and picking techniques, which you can dial up as desired. Imagine strumming chords with proper fingerings, up/down-strokes, and other utterly authentic playing techniques. It's like having a real guitar player in your studio, who never spills beer or leaves practice early.A universe of sounds45 GB of included instruments, loops and phrasesMachFive's signature scripted instruments give you incredibly realistic core instruments that are basic necessities for any studio: drums, bass, guitar, piano, and percussion. But that's just the beginning. MachFive also includes thousands of loops and phrases. From break-beats to mixed choirs, there's an entire universe to explore. MachFive Biosphere™ further broadens your sonic vistas with fresh, rich synth textures that are out of this world. And for the truly adventurous, the Xtreme FX bonus library from UltimateSoundBank.com gives you 5,000 creative sound effects, foley effects, and ambient textures suitable for both music production and sound design.Powerful new synth engineTwelve forms of synthesis that span music historyFrom modular analog pioneered in the 1950's to milestone breakthroughs like FM and wavetable synthesis in the decades that followed, MachFive 3 delivers twelve synth engines that make it a powerful multi-synthesizer in its own right. When combined with MachFive's multi-sample instrument capabilities and extensive effects, the possibilities for hybrid synthesis and sound design are limitless.FeatureMassive 45 GB sound library (7 DVDs)Features loops, phrases, sounds, and advanced multi-sample instruments with dynamic performance powered by state-of-the-art scripting technology.Simple operationUnique, unified design provides instruments, loops, phrases, synthesis and FX in one easy-to-use window.Scripting engine with unlimited layersDelivers ultra-realistic multi-sample instruments, dynamic performance, and unlimited possibilities for programmers and sound designers.IRCAM technologyCutting-edge time-stretching, pitch-shifting & granular synthesis licensed from the IRCAM research institute.Universal supportDirectly reads all major 3rd-party hardware/software sample formats for consolidated sound library management.Complete mixingGraphic mixer with faders, FX inserts, and unlimited channels.Powerful effectsFlexible effects architecture with 47 different effects, including convolution reverb, applied at any level you wish.Deep synthesisAdvanced, yet accessible modular synthesis architecture with twelve sound engines and flexible modulation matrix.Full-screen editingDive into a rich sound design environment with comprehensive automation, modulation and editing.Unlimited partsCombine instruments and tempo-synced loops. Layer synths and sample-based parts.3rd-generation UVI EngineAcclaimed worldwide for its superb sound quality.Multiple outputsSubmix to 17 stereo output pairs.Disk streamingconserve RAM & quicken load times.Unlimited polyphonywith ultra-low software latency.
Mastering with a Brain. Elevate is the most advanced mastering plug-in ever created. This unique multi-band limiter, human-ear EQ and powerful audio maximizer will increase the loudness of your mix while maintaining or improving its dynamic perception. It uses intelligent, adaptive technology that responds in real time to your music; creating not only the loudest, but the best sounding master. Developed by Newfangled Audio, Elevate maintains subtle dynamics and improves the tonal balance of your mix. The adaptive limiter analyzes 26 frequency bands and alters the gain, speed and transients for each band in real time. The result is a transparent, natural sound, no matter how hard you push it.Features
Analyzes and alters the gain, speed and transients of each filter band in real time.
Includes presets by: APS Mastering, Matt Lange, Jeremy Lubsey, Eric Beam, ROCAsound, Chris Tabron and John McCaig.
Automatically adapts the attack, release and look-ahead parameters for each filter band to greatly reduce "pumping" and breathing artifacts and perceived distortion.
Preserves or emphasizes fast transients to avoid squashing your mix.
Manipulates transients across the critical bands to preserve the attacks from kick drums, snares and cymbals, without affecting the entire mix.
Uses linear phase auditory filters — based on the Mel Scale — to manipulate the audio in a way that is natural to your inner ear.
Solo the output of one band (or a number of bands) to hone in on problem frequencies, tweak transients or alter gain.
Use the Auto Output Level feature to compare the limited signal to non-limited signals with the same amount of gain allowing you to easily hear what impact the processing is having on your sound.
Use the Spectral Clipper to overdrive the final output without affecting the tonal balance or allowing the signal to get “tubby.” Perfect for a more aggressive sound.
Six different types of metering allow you to keep an eye on every aspect of your output audio.
Powerful, transparent True-Peak limiting you can 'set and forget', with the assurance of True-Peak compliance at all times.
World class, broadcast quality limiting is an essential requirement for any audio production, and the latest standards also demand true-peak compliance. ISL delivers both, giving you superb sound with complete confidence about meeting the standards.
No need to second guess your sample-peak limiter time and again, or deliberately increase headroom to avoid a downstream problem. Just dial in your true-peak limit and let ISL take care of the rest.
Pristine quality true-peak limiting
ISL is a transparent look-ahead limiter designed to allow you to get on with creative audio production while it takes care of true-peak compliance for you.
ISL uses the standardised true-peak algorithms of ITU-R B.S. 1770 and related standards (including Apple ‘Mastered for iTunes’ true-peak detection), and is suitable for the control of audio for Post Production and Broadcast applications. True-peak limiting can also be used to ensure that down-stream Codecs (mp3, AAC etc.) do not introduce distortion into the signal.
Powerful Processing and Visualisations
With unique Steering and Ducking meters, ISL2 guides you to the perfect settings. Whether you are preserving directional integrity, atmospheric ambience or taming a surround centre channel, ISL2 gives you the information and control you need to achieve your objective with ease. New processing enhancements assess the incoming audio for frequency content and automatically take care of those minor adjustments required when LF content drives the limiter, delivering increased transparency whilst maintaining our renowned reputation of intuitive operation.
Applications
Post Production & Broadcast audio
Audio Mastering
Loudness compliance
'Mastered for iTunes' intersample clip monitoring
Protection for downstream compression
Preserving quality for streaming/podcast
Inter-sample clip management
Quick check analysis and correction - one click and you're done. At up to 100x real-time in your NLE/DAW or as a file based application. Save hours and prevent costly mistakes.
LM-Correct gives you a unique, immediate and hassle-free route to loudness-compliant audio in your day-to-day loudness workflow, saving you time and preventing costly mistakes.
Either within your NLE/DAW or as a stand-alone application, LM-Correct delivers automated compliance with True-Peak correction, solving your compliance issues on the spot. Used in conjunction with a real-time meter, LM-Correct saves iterative adjustments to the mix as you approach target levels, allowing transparent in-edit 'quick-touch' finishing of your audio. It’s an essential part of your loudness toolkit.
Automated, faster than real-time
For file based-processes (either with the standalone or Avid AudioSuite versions), LM-Correct rapidly assesses and adjusts the entire file much faster than real time. Automatically handling audio files from mono through 5.1, LM-Correct is compliant with all current loudness standards and if you need it you can specify the optional dialog-gated measure.
Automatically re-purpose and re-version
LM-Correct dramatically increases efficiency when delivering multiple versions and re-purposing for different regions and play-out specifications. Transform audio from one specification to the next with a single click, faster than real-time, without the need to manually re-purpose time and again in the editor.
Peace of mind
Our unique look-ahead true-peak limiter also prevents potential compliance failure due to loudness correction. With True-peak, Integrated Program and Short-term Maximum targeting you can be sure your audio is compliant every time. LM-Correct: total control and complete peace of mind in production.
Powerful Processing with a single click
With the introduction of optional dynamic processing in-LM-Correct 2, even complex recommendations like EBU R128 S1 can be met with great sounding algorithms, smooth efficiency. Uniquely, the new DynApt extension powered by technology developed for our server-side solutions also allows immediate correction for LRA and dynamics, whilst preserving dialogue intelligibility and correctly identifying and respecting intentional dramatic transitions. LM-Correct 2 delivers unparalleled power with renowned ease of use.
The leading workstation solution for loudness compliant delivery. Everything you need to intuitively produce loudness-normalised audio, seamlessly integrated into your audio production workflow.
With VisLM’s clear loudness metering it’s so easy to mix towards compliance without breaking the creative flow.
With ISL on the master bus you can listen to true-peak compliant audio ‘in-place’, without needing to check louder sections separately for traditional limiter artefacts and true-peak compliance.
The leading workstation solution for loudness compliant delivery. Everything you need to intuitively produce loudness-normalised audio, seamlessly integrated into your audio production workflow.
With VisLM’s clear loudness metering it’s so easy to mix towards compliance without breaking the creative flow.
With ISL on the master bus you can listen to true-peak compliant audio ‘in-place’, without needing to check louder sections separately for traditional limiter artefacts and true-peak compliance.
The leading workstation solution for loudness compliant delivery. Everything you need to intuitively produce loudness-normalised audio, seamlessly integrated into your audio production workflow.
With VisLM’s clear loudness metering it’s so easy to mix towards compliance without breaking the creative flow.
With ISL on the master bus you can listen to true-peak compliant audio ‘in-place’, without needing to check louder sections separately for traditional limiter artefacts and true-peak compliance.
The most fundamental question in audio production, how loud is it? Simple and yet elusive, with loudness inconsistency and incompatibilities present every day in broadcasts across the world.With detailed, objective loudness measurement, history and logging facilities, VisLM provides a simple, ITU, ATSC and EBU standard compliant* way to measure, compare and contrast loudness during production, broadcast and post production, on the fly or for entire sections of audio.Standardized loudness metering represents the next generation of audio 'volume' control, moving beyond the digital consideration of level and into objective perceived loudness - Loudness is the sound level people actually 'hear'. The NUGEN Audio VisLM loudness meter is a step closer to the perfect loudness measurement tool: the human ear.VisLM introduces several essential parameters for audio measurement.
True-Peak level metering (inter-sample accurate level monitoring)
Loudness Range (to help decide if and how much dynamic compression to apply)
Momentary 'instantaneous loudness' for mixing by ear
Short term loudness (3 second time window)
Program Loudness (long term integrated loudness measurement)
165,00 €*
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