Feature:
Uses a KDJ3 opamp for mono and a KDJ5 opamps for output.
Discrete signal path
Capable of driving the most demanding phones
10k Ohm Transformer balanced input
Hi-Z input will not load sources when multing
15dBu Gain
Individual channel cuts
Channel swap
Channel sum to mono
Precision matched stereo level control
Ships with XLRF to XLRF adaptor for stereo input
Unbalanced stereo front panel 1/4″ TRS output
Second stereo balanced input on rear 1/4″ on Purple Sweet Ten rack (switchable via front panel toggle)
Current consumption: 70mA
Over Current Resettable Fused (prevents any module problem from affecting your rack)
ROHS – Lead Free
In a sweet ten rack, the Cans II has EITHER two stereo balanced inputs OR a secondary rear panel output using the OUT 2/ OPT out jack. Set the jumpers as below to enable input or output, unit ships as secondary input enabled (see pictures)
The Action is a FET compressor reminiscent of the MC77. Designed to work in standard “500″ racks.
The Action features a constant impedance 600 ohm input attenuator feeding the input transformer, just like our MC77 units. This makes the input more resistant to overload by hot signals. After the input transformer, the signal is attenuated by the same gain reduction FET as in the MC77. The attenuated signal is buffered by our class A KDJ3 opamp, which feeds the output fader. Lastly, our class AB KDJ4 output opamp drives our custom hexafilar nickel and steel output transformer. The total gain (with no attenuation) is 45dB, just like the MC77.
Attack and release times cover a broader range than the MC77, which can cause distortion… which may or may not be what you are looking for. Use at extremes with caution. The ratios are the same as the MC77, and the threshold moves up as the ratio goes up, just like the MC77.
Stereo linking is accomplished by cross connecting pins 3 & 6 on the edge connector. On the Purple Sweet Ten, there is a second output 1/4″ that can be used to link two Actions. The link is accomplished using a TRS to TRS cable with tip on one TRS connecting to RING on the other TRS and vice versa. Plug in the cable, flip the front panel switches and you are linked. Non-Purple racks do not have an easy way to connect pins 3 and 6, and will need modification to link two Action units.
Features
• Input attenuator feeding input transformer
• Output level control
• Input and output tricolor LED metering
• Eight LED GR metering
• Five ratios including “All buttons in” mode
• Attack and Release controls
• True Relay Bypass
• Stereo Linking
• Compression on/off switch
• Discrete signal path
• Over Current Resettable Fused
(prevents any module problem from affecting your rack)
• ROHS – Lead Free
A unique sounding, three amplifier, discrete microphone preamp module designed to work in standard “500″ racks.
The smooth Gain control helps you dial in the sound you want. If the output level is too high (the Class A/B output opamp can pump out up to +27 dBu), you can ride the level down with the separate Level control.
Pressing the “Dual” switch splits the gain between two of our Class A opamps, enabling up to 75 dBu of clean gain, making the Biz a perfect match for ribbon microphones.
With different Gain, Level, and Dual settings the Biz can produce an infinite variety of tonal variations with the same amount of output level. The front panel DI helps you record instruments and line level sources with unrivaled clarity and punch.
Two LEDs clearly indicate signal level for the gain and output stages at a glance, turning green to indicate signal present, yellow for 10dB below clipping, and red for clipping. The Biz uses two KDJ3 opamps and one KDJ4 opamp.
Features:
Output level control
Input and output tricolor LED metering
Mic / Line switch for rack input Bridging line input for high output mics or line level sources Use with our Moiyn 8×2 mixer module in the Sweet Ten rack for mic or line mixing
DI Load switch for front panel input 33kohms as in the original Biz or 100kohms for a more open tone
Discrete signal path
Over Current Resettable Fused (prevents any module problem from affecting your rack)
ROHS – Lead Free
Features:
Add air and weight to your mix with two EQ controls
Control incoming volume level
Crystal clear sound with tons of control
Works in standard 500 series rack
Lilpeqr-M includes stepped potentiometers for easy recall and stereo matching
The MC77 supercedes the MC76 re-engineered 1176 type FET Limiter. The MC77 recreates the audio circuitry of the revision E 1176, using modern components matched to the original. One significant component is the input attenuator. The input attenuator that was custom made for the original revisions A-F 1176 and for the Purple MC76 by Clarostat was discontinued in 2002. It was a J series T-pad attenuator with two 600Ω 'build out' resistors to keep a constant 600Ω load on the source and primary of the input transformer. Clarostat changed carbon manufacturers and the new carbon manufacturer was unwilling or unable to make the part. Purple temporarily stopped making the MC76 to find a solution. We tried several three deck Clarostat 70 series pots in different configurations to achieve the same loading and to match the taper. We found a solution that matched the original; both the originals and replacement parts are drawn in the schematic that you can download below. At the same time, we looked at feedback gathered from the hundreds of satisfied MC76 users. Based on that feedback, we incorporated useful new features into the revised unit, which was designated the MC77. NEW features in the MC77: True Bypass via sealed relay with front panel switch Improved stereo linking with front panel switch Sidechain insert loop or key input with front panel switch Buffered VU meter can monitor input or output level at +4dBu LED meter lights that don't burn out as incandescents do Heavy gauge black stainless steel enclosure 115v/230v operation switchable from rear panel (serial 600) Features inherited from the MC76: Discrete Transistor Audio Path Electronics Single Element Class A Output Amplifier Transformer Balanced XLR Inputs and Outputs Zener Shunt Regulated Audio Power Supply Compression Ratios 4:1, 8:1, 12:1 and 20:1 Fast Attack Time 20 microseconds to 800 microseconds Release Time 50 milliseconds to 1.1 second Gain of 45dB (full gain with no limiting) Ruggedized Design PCB stiffener, chassis mount transformers Purple Anodized Aluminum Front Panel Für weitere Informationen, besuchen Sie bitte die Homepage zu diesem Produkt.
An all-discrete 8 channel summing amp. Only for the Purple Audio Sweet Ten.
The Moiyn makes the Sweet Ten into a 8×2 mixer.
The Moiyn only works in slot 9 of the Purple Audio Sweet Ten rack.
With the Moiyn installed into slot 9 of the Sweet Ten, slots 1 through 8 become input modules to the Moiyn. Because of the Moiyn’s differential summing input amplifiers, any standard module can be used in slot 1 through 8 with minimal loading, and without unbalancing their outputs. This means that even while you use the Moiyn to sum the outputs of the modules in slots 1 through 8, you can still take the slot 1 through 8 output XLRs to your DAW or tape machine.
Our custom hexifiliar output transformers provide two stereo transformer isolated outputs. One pair of outputs appears on the two output XLRs for slot 9. The Moiyn has internal jumpers to feed the second pair of outputs to slot 10. With the jumpers enabled, you can feed a Cans headphone amp in slot 10 automatically, without patching any cables in the back. Because of the Cans’ bridging transformer inputs, the pair of input XLRs on slot 10 can also be used as a second set of stereo outputs (with the input of the Cans multed to that output).
The inputs for slot 9 (XLR IN/OPT IN) serves as a stereo input to the Moiyn mix buss for cascading multiple mixers. As an example: take one Sweet Ten with a Moiyn to do your drum submix and cascade that into a second Sweet Ten with a Moiyn for your whole mix. That’s a fully discrete 16 channel summing mixer in 6 RU, and you can pick almost any combination of 500 modules as the channel modules.
The front panel of the Moiyn has two columns of eight illuminated push buttons, for left and right assign for each channel. Tricolor LEDs on either side of the slot 8 assigns show the mixbuss signal level. Below is a high quality 2-buss rotary master fader. The audio signal path of the Moiyn uses the same discrete opamps found in our other modules. The Moiyn uses two KDJ3 opamps and two KDJ4 opamps.
Features:
Discrete signal path (2 KDJ3 – Summing Amplifiers, 2 KDJ4 Output Amplifiers]
Differential Summing Amplifier
15K drop on resisters
Stereo Balanced Inject
8 Input Left/Right Assignable
Current consumption: 90mA
Discrete signal path
Over Current Resettable Fused (prevents any module problem from affecting your rack
ROHS – Lead Free
Features:
High frequency switchable from bell to shelf
High frequency 12kHz / 8kHz
High-mid frequency 4kHz / 1.8kHz
Low-mid frequency 650Hz / 300Hz
Low frequency 150Hz / 75Hz
Low frequency switchable from bell to shelf
Each band boost or cut by 12dB
Switchable High cut at 12kHz
Switchable Low cut 60Hz
Relay True Bypass
Tricolor LED level meter
Transformer balanced in and out
Discrete signal path
No electrolytic caps in signal path
Current consumption: 60mA
Over Current Resettable Fused (prevents any module problem from affecting your rack)
ROHS – Lead Free
A four-band inductor-based EQ. Designed to work in standard “500″ racks.
Designed by Ed Anderson for Purple Audio.
A modern update of the classic “swinging inputs” console EQ, with four easy to use bands. Each band uses a high quality inductor and carefully selected caps to give two switchable frequencies. The bands are carefully shaped and spaced to be musical, even at full boost or cut. The highest band can be switched from bell to shelf, to boost frequencies extending well beyond 20kHz. The lowest band can also be switched from bell to shelf, reaching down into the subsonic range.
There are illuminated pushbuttons for additional fixed low (red) and high (yellow) cut filters. A relay true bypass (green) allows for easy comparison with unprocessed source material. With the low and high cut switched out, and all four bands set to 0, the frequency response is +/- 0.25dB from 15Hz to 25kHz, and -3dB at 60kHz.
With specialized input and output transformers, the Odd has plenty of headroom, even at full boost. The entire circuit is discrete, with no electrolytic capacitors in the signal path, and no servo amps. With only two active stages, the current draw is low enough to work in any rack, and leave plenty of juice for other modules. The Odd uses one KDJ3 opamp and one KDJ4 opamp.
Features:
High frequency switchable from bell to shelf
High frequency 12kHz / 8kHz
High-mid frequency 4kHz / 1.8kHz
Low-mid frequency 650Hz / 300Hz
Low frequency 150Hz / 75Hz
Low frequency switchable from bell to shelf
Each band boost or cut by 12dB
Switchable High cut at 12kHz
Switchable Low cut 60Hz
Relay True Bypass
Tricolor LED level meter
Transformer balanced in and out
Discrete signal path
No electrolytic caps in signal path
Current consumption: 60mA
Over Current Resettable Fused (prevents any module problem from affecting your rack)
ROHS – Lead Free
The smooth Gain control helps you dial in the sound you want. If the output level is too high, you can ride the level down with the separate Level control. Pressing the 'High' switch increases the gain in the first opamp pair, increasing the maximum gain setting to +75db. With different Gain, Fader, and High button settings the Pants can produce many different tones with the same amount of output level. The front panel DI goes through a FET buffer into the input transformer, adding an extra dimension to the sound of the preamp. Two LEDs clearly indicate signal level for the gain and output stages at a glance, turning green to indicate signal present, yellow for 10dB below clipping, and red for clipping. For easy serviceability and tweaking, the Purple discrete opamps can be replaced with any standard discrete opamp or a DIP-8 IC. The Pants uses our custom output transformer which provides two isolated outputs (when supported by the chassis). Transformer input: Maximum gain 60dB in normal mode Maximum gain 75db in high gain mode Für weitere Informationen, besuchen Sie bitte die Homepage zu diesem Produkt.
Many manufacturers, including past Purple Audio prototypes, use linear power supplies for their racks. Traditional wisdom holds that linear power supplies are ideal for audio and generate less noise and interference. However, in the case of a 10 slot series 500 rack, even a well designed linear power supply generates a substantial magnetic hum field and far too much heat to allow for internal mounting. This problem is caused in part by the wide variation of line voltage across the world.
With the advancement of switching power supplies it is now possible to have a switcher that does not compromise audio performance and delivers or exceeds all specified current needs. We have spent years perfecting just such a power supply. We have comparatively tested all of our, and many of our competitors, modules at full bandwidth (10Hz – 500kHz) on lab quality over built bench supplies to make sure that the Sweet Ten is not compromising audio performance in any way. Simply put, your 500 series modules will perform at their highest level in our rack. Audio performance improvements are considerable.
The Sweet Ten top, side, and back panels are finished in trivalent yellow chromate cold rolled steel instead of painted steel for improved grounding and shielding. Our ground plane motherboards provide additional grounding. Additionally, the rack motherboard has frequency bypass capacitors at each slot to improve filtering, especially for modules with DC/DC converters.
Functionally, the Sweet Ten offers 2 inputs and 2 outputs per slot. Many of our modules already take advantage of second output and our Moiyn mixer module will use the second input to allow for stereo balanced source injection. Future uses of these connectors include fader loops on future modules as well as a few surprises!
Dimensions: 19″ W x 5.25″ H x 8.25″ D
A ten-band inductor-based graphic EQ. Designed to work in standard "500" racks. A new take on the console graphic, with ten easy to use bands. Each band uses a high quality inductor and carefully selected caps to set the center frequency. At full boost and full cut the bands are narrow enough to still be useful individually, but at lower settings the bands widen out for more gentle shaping. Even at full boost and cut, the filters are shaped to be musical and useful.
An illuminated pushbutton for relay true bypass (green) allows for easy comparison with unprocessed source material. A Tricolor LED meters the signal. The frequency response is +/- 0.25dB from 15Hz to 25kHz, and -3dB at 60kHz. With specialized input and output transformers, the TAV has plenty of headroom, even at full boost. The entire circuit is discrete, with no electrolytic capacitors in the signal path, and no servo amps. With only two active stages, the current draw is low enough to work in any rack, and leave plenty of juice for other modules. The Tav uses one KDJ3 opamp and one KDJ4 opamp.
Tav Pinout
Pin 1: Chassis Ground
Pin 2: Output A +
Pin 3: Output B + (mult from pin 2)
Pin 4: Output A -
Pin 5: Audio Ground
Pin 6: Output B- (mult from pin 4)
Pin 7: Input -
Pin 8: Input -
Pin 9: Input +
Pin 10: Input +
Pin 11: NC
Pin 12: +15 or 16VDC 60ma
Pin 13: Audio Ground
Pin 14: -15 or 16VDC 60ma
Pin 15: NC (+48VDC)
Features:
Each band boost or cut by 12dB
Relay True Bypass
Tricolor LED level meter
Transformer balanced in and out
Discrete signal path
No electrolytic caps in signal path
Current consumption: 60mA
Over Current Resettable Fused (prevents any module problem from affecting your rack)
ROHS - Lead Free
For easy serviceability and tweaking, the Purple discrete opamps can be replaced with any standard discrete opamp or a DIP-8 IC.
899,00 €*
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