The ATG-1 Floor Processor is the perfect complement to the electric guitar.
The push of a button will instantly tune your guitar with perfect intonation. An easy to use interface allows you to access a variety of functions including: guitar models, virtual capo, pitch shift, etc. You even have the ability to create and store your own alternate tunings and doublings as part of a preset.
String-Tune: Utilizing Digital Signal Processing (DSP) technology to correct the pitch of each guitar string, String-Tune makes your guitar come through an amplifier perfectly in tune.
Solid-Tune®: Constantly monitors the pitch of each individual string and makes any corrections necessary to ensure a perfectly intonated fretboard, while still allowing bends and vibratos.
Alternate Tunings & Doublings: The ATG-1 features alternate tunings, including DADGAD, Drop D, Open E, and Open G. Doublings include Twelve String, Parallel Octaves and Fifths. You also have the ability to create and store your own custom alternate tunings and doublings!
Guitar Modeling: Select from different guitar models and pickup models so your guitar will sound like the classic and modern electric guitars, acoustic guitars and bass guitars.
Virtual Capo: Transpose your guitar up or down a full octave in standard or any alternate tuning.
Presets: The ATG-1 has the capacity to store 64 presets for instant recall.
The easy to use ATG-1 Floor Processor also includes stereo outputs, tone controls, and accepts MIDI control inputs. Capture creativity when it strikes while saving time in the studio and onstage.
Note: The ATG-1 Floor Processor is only available for shipment to United States addresses. For international shipments click here to find our authorized distributor.
The Bricasti Model 7 reverb Processor provides the highest level of musicality and ease of control imaginable in a processor dedicated to the task of reverberation.The Bricasti Model 7 is a modern high resolution digital design, utilizing a stunning array of the latest DSP processors, provides a platform for the long overdue next step in reverb processing algorithms. A separate fully differential analog section and dedicated transformer based linear power supply provide the finest analog specifications of any product of its kind.The Bricasti Model 7 features an exceptionally strong stainless steel chassis, and a tooled aluminum front panel, combine with a classic high visibility display and straight forward human interface, to complete an enduring design that is intended to fulfill its role, now and into the future.Each design element of the Model 7 is a carefully considered statement of our vision of what the evolution of reverberation processing in its most classic form can be. With a deep appreciation of the best designs which precede it, and a passion for moving the science of reverberation forward, the Model 7 provides a palette of sounds that encompass the familiar as well as new expressions in the art. Listen to the new reference in reverb processing; it will bring new life to your art, in a way unimagined by any process before it.Main features:
100 Unique reverb presets
Revolutionary new reverb algorithm
True Stereo Reverb Process
Classic and new Presets; Halls, Plates, Rooms, Chambers, Ambient Spaces
12 Parametric Program Parameters
100 User registers
4 Front panel “Favorites” for quick saves and compares
Dual Dedicated Power Supplies
Custom design toroidal transfomer linear supply for analog
High performace switching supply for digital
Separate Digital and Analog modules
Non corrosive Stainless Steel chassis and top cover
Milled anodzied aluminum front panel, knobs and button caps
Postive feel 2 db stepped analog input level control
MIDI I/O
Hand Crafted in the USA
AES 24 Bit Digital I/O
AES single wire 192k supported
Self-clocking to incoming sample rates 44.1k to 192k
6 State of the art dual core Analog Devices DSPs
< 20 Picoseconds Jitter
Input level adjustable in 2 dB steps
Balanced XLR analog I/O
24-bit conversion
Dual D/A
Fully-balanced, DC-coupled analog input and output circuits
The Bricasti Model 7 reverb Processor provides the highest level of musicality and ease of control imaginable in a processor dedicated to the task of reverberation.The Bricasti Model 7 is a modern high resolution digital design, utilizing a stunning array of the latest DSP processors, provides a platform for the long overdue next step in reverb processing algorithms. A separate fully differential analog section and dedicated transformer based linear power supply provide the finest analog specifications of any product of its kind.The Bricasti Model 7 features an exceptionally strong stainless steel chassis, and a tooled aluminum front panel, combine with a classic high visibility display and straight forward human interface, to complete an enduring design that is intended to fulfill its role, now and into the future.Each design element of the Model 7 is a carefully considered statement of our vision of what the evolution of reverberation processing in its most classic form can be. With a deep appreciation of the best designs which precede it, and a passion for moving the science of reverberation forward, the Model 7 provides a palette of sounds that encompass the familiar as well as new expressions in the art. Listen to the new reference in reverb processing; it will bring new life to your art, in a way unimagined by any process before it.Main features:
100 Unique reverb presets
Revolutionary new reverb algorithm
True Stereo Reverb Process
Classic and new Presets; Halls, Plates, Rooms, Chambers, Ambient Spaces
12 Parametric Program Parameters
100 User registers
4 Front panel “Favorites” for quick saves and compares
Dual Dedicated Power Supplies
Custom design toroidal transfomer linear supply for analog
High performace switching supply for digital
Separate Digital and Analog modules
Non corrosive Stainless Steel chassis and top cover
Milled anodzied aluminum front panel, knobs and button caps
Postive feel 2 db stepped analog input level control
MIDI I/O
Hand Crafted in the USA
AES 24 Bit Digital I/O
AES single wire 192k supported
Self-clocking to incoming sample rates 44.1k to 192k
6 State of the art dual core Analog Devices DSPs
< 20 Picoseconds Jitter
Input level adjustable in 2 dB steps
Balanced XLR analog I/O
24-bit conversion
Dual D/A
Fully-balanced, DC-coupled analog input and output circuits
The Bricasti Design M7M Reverb Processor Mainframe is an exact duplicate of the M7 Stereo Reverb Prcoessor with reduced front panel controls, and is intented to be used in conjunction with the M10 remote control. As it is necessary to have an M10 fro control, the M7M is available bundled together with the M10 in several different configurations, with one or more M7Ms. However, it is also offered as a stand alone product for customers wishing to add more channels of Bricasti processing to their M10 based setup with duplicating unnecessary user interface controls.
Main features:
100 Unique reverb presets
Revolutionary new reverb algorithm
True Stereo Reverb Process
Classic and new Presets; Halls, Plates, Rooms, Chambers, Ambient Spaces
12 Parametric Program Parameters
100 User registers
Dual Dedicated Power Supplies
Custom design toroidal transfomer linear supply for analog
High performace switching supply for digital
Separate Digital and Analog modules
Non corrosive Stainless Steel chassis and top cover
Milled anodzied aluminum front panel, knobs and button caps
MIDI I/O
Hand Crafted in the USA
AES 24 Bit Digital I/O
AES single wire 192k supported
Self-clocking to incoming sample rates 44.1k to 192k
6 State of the art dual core Analog Devices DSPs
< 20 Picoseconds Jitter
Input level adjustable in 2 dB steps
Balanced XLR analog I/O
24-bit conversion
Dual D/A
Fully-balanced, DC-coupled analog input and output circuits
Das System One besteht aus einem M10 und einem M7M, das als Stand-alone-Gerät betrieben werden kann, oder dem M7 zugefügt werden kann, um so noch mehr Bearbeitungs- und Bedienmöglichkeiten zu erhalten.
A classic effect, built for modern users – the EF-X2 couples the sounds you know and love, with features and reliability unimaginable in the past. In designing the EF-X2, the team here at Echo Fix began with the knowledge and insight gained from our work as the world’s foremost experts in spare parts, servicing and repairing vintage tape echo units including the famous Roland RE-201 Space Echo. Put simply, we know how tape echos should sound and operate.
We spent three years prototyping, rigorously testing, and meticulously designing in secret – while accounting for every possible application. We couldn’t find a new production motor good enough so we made our own and invested in the latest high tech machinery to custom balance them in house here at Echo Fix. We could not find tape heads that sounded good enough so we had custom tape heads manufactured to our exact specs.
One of the other important things when it comes to reliable tape echo operation is the tape loop. We thoroughly researched tape and have a tape formulation that not only lasts a very long time but sounds incredible as well, that is how far we were willing to go to make the EF-X2 reliable and sound great!
What we have built is a warm sounding tape echo with a modern feature set that is at home in the professional recording studio, live guitar rig, bedroom production setup or in any other context you can dream up, we cannot wait for the EF-X2 to become an integral part of your creative process.
PRODUCT FEATURES
Three core functions – tape echo, reverb, and preamp. (Spring Reverb Tank Optional)
Independent inputs (and level controls) for Instrument-level and Line-level applications, plus balanced input and output at rear.
Three echo playback heads, and a Sound On Sound Head giving 11 Head combination Settings in total.
Adjust the echo’s Time and Feedback with Control Voltages (CV 0-5 volts) and compatible Expression Pedals.
Bass and Treble control of the echo signal.
Motor ON/Switch for tape slow down effect – or to conserve tape when only using the EF-X2’s reverb or preamp.
State of the art DSP Reverb with independent controls.
Mute the reverb or echo signal with a dual foot switch pedal.
Comes with a worldwide-compatible, 100 – 240v power supply (no step-down or other transformers required).
Built tough to last, by someone who’s repaired and upgraded more tape echo units than you can possibly imagine!
2 Years Warranty with peace of mind that this is made by a company that has been operating for over 10 years specialising in tape echo repair and spare parts.
High quality scratch resistant front panel.
2 Tape loops supplied with each unit.
Key Features
3RU 19" Rack Mountable with sliding drawer system for easy tape replacement
Direct playback head outputs allowing for external panning for stereo ping pong delays from a mono source
Analog BBD Chorus with rate and depth controls
Analog Spring Reverb
Independent SOS switching for longer delay time (1.2 seconds)
Direct WET output at rear for Reverb/Chorus
Balanced Input and Output at rear
Auto tape stop when no audio signal present to extend tape and motor life (There is a switch at the rear to disable this feature).
CV Control for Motor Speed and Feedback level (0-5v) via compatible Expression Pedals
Bass and Treble Controls (Echo Signal)
Vintage Guitar/Line FET Preamp (Front Panel)
High/Low Output level switch (Front Panel Output)
Four echo playback heads (including SOS head)
Motor ON/OFF Switch for tape slow down effect
Mute the reverb, echo and chorus signal via remote foot switches
Comes with a worldwide-compatible, 100 - 240v power supply (no step-down or other transformers required)
2 Years Warranty for all pre-sale purchases with peace of mind that this is made by a company that has been operating for nearly 15 years specialising in tape echo repair and spare parts
High quality scratch resistant front panel
2 Tape loops supplied with each unit
Two front Panel colour options - Silver or Black
The karacter 500 is a box full of vibrant colors. It covers a complete spectrum including mastering-grade saturation, tube-inspired distortion and glorious destruction. Gone are the days when only racks full of outboard gear could achieve these elusive and highly desirable styles of tonal coloration.
The entire unit is designed with discrete class-A topology, so even the most lo-fi sounds will benefit from the karacter’s high-end touch. Enhance your tracks or decimate everything – It’s a matter of karacter.
Springtime - Analog Studio Reverb
Design
The IGS Springtime is a 4-channel analog studio reverb built using pairs of springs. One short and one long pair. Every channel has separate wet and dry volume knobs. Also each channel has a 3 band EQ for the wet signal.
What it does
The Springtime fills your room with sound. It glues your mix and enriches the individual tracks. It adds lovely warm color to the midrange. Without EQ, it sounds perfect. With EQ, you can add more definition if you need it.
Everyday use
Try stereo buss send for music tracks to channel 3 and 4 (long springs), mono vocal to channel 1 (short) plus any solo, mono instrument to channel 2 (short). Sometimes even individual instruments can be sent to both kinds of springs in parallel. If you plug it into the insert use 100% Dry and 10% Wet. On sends use 100% Wet, 0% Dry.
The second generation of the dual channel saturator is fitted with Looptrotter’s world famous solid state saturation circuit. It was created to add low order harmonics and smoothly even the signal in a musical and ear friendly way, significantly increasing the RMS level without raising peaks at the same time, so desired in modern music production.
Generation 2 upgrades include:
TRS instrument inputs (-10dB)
LO Safe/ HI Smooth THD filters
DRY/WET signal control
Features:
Pro Audio Heritage in a Pedalboard Friendly Design
Handcrafted Algorithmic Reverbs
Analog Mix & Dry Signal Path
High & Low Frequency Damping
Extensive Modulation Capability
Auto Swell Envelope (variable and foot-switchable)
Stereo input and output
Switchable input output headroom level for Guitar, Synthesizer or Line levels
Expression pedal control over all parameters simultaneously
Presets available via external 4-Preset switch or MIDI
MIDI in/out over TRS via the EXP jack
Premium analog signal path and 24-bit AD/DA w/32 bit floating point DSP
Premium Analog Devices JFET input section
Color – translucent coat of deep blue over brushed aluminum
Designed and built in Los Angeles, California U.S.A.
Features:
Handcrafted Algorithms
Variable Sample Rate and Bit Crushing
Vintage Synth inspired Low-Pass Filter
Triggered Stutter Effects
Sequencer module for Pitch, Filter or Decimation pattern sequencing
Tap Tempo for Sequencer and Stutter
Stereo input and output
Switchable input/output headroom level for Guitar, Synthesizer or Line levels
Expression pedal control over all parameters simultaneously
Presets available via external 4-Preset switch or MIDI
MIDI in/out over TRS via the EXP jack
Remote Tap Tempo Switch capable via the EXP jack
Premium analog signal path and 24-bit AD/DA w/32 bit floating point DSP
Premium Analog Devices JFET input section
Color – glossy black with subtle flake
Designed and built in Los Angeles, California U.S.A.
gleichzeitig hohe Dichte und geringste Färbungüberwältigende TransparenzSubsonic-Option für Donner- und Erdbebeneffekte2xIn / 2xOut Modus (standard QRS Plug-In ≤192kHz)2 phasenneutrale Eingangskanälebis zu 2 separate Ausgangskanäleoder 1 Stereo Ausgangspaar mit einer Korrelation von 50% (einstellbar)bis zu 4 Pegelanzeigen (Bargraphs) auf der Frontseite24bit / 192kHz auf allen Signalwegen (±12,5% für Varispeed)niedrige Latenz <<1msMute-, Bypass- und Solo-Funktionen über Hotkey-Menüeingebauter Nadelimpuls-Testgenerator3 Bedienelemente auf der Frontseitebis zu 15 Plug-in-Bänke für SoftwareWebbrowser-basierte Fernsteuerung über EthernetMIDI, USBextrem kompaktes, kühles Gehäuse, 19" 1HE, nur 36mm Tiefe,universelle Stromversorgung (100-240V, 50-60Hz), Verbrauch <14VA
Eigenschaften 2493gleichzeitig hohe Dichte und geringste Färbungüberwältigende Transparenz2 In / 2 Out Modus2 phasenneutrale Eingangskanälebis zu 2 separate Ausgangskanäleoder 1 Stereo Ausgangspaar mit einer Korrelation von 50% (einstellbar)bis zu 4 Pegelanzeigen (Bargraphs) auf der FrontseiteADC: 111 dBu ungewichtet (114 dBu A-Filter)DAC: 111 dBu ungewichtet (114 dBu A-Filter)Latenz ~3ms (Ain⇒Aout)Mute-, Bypass- und Solo-Funktionen über Hotkey-Menüeingebauter Nadelimpuls-Testgenerator3 Bedienelemente auf der Frontseitebis zu 15 Plug-in-Bänke für SoftwareWebbrowser-basierte Fernsteuerung über EthernetMIDI, USBextrem kompaktes, kühles Gehäuse, 19" 1HE, nur 36mm Tiefe,universelle Stromversorgung (100-240V, 50-60Hz), Verbrauch <18VADesignteam unter der Leitung des Designers des legendären QUANTEC QRS von 1982.
2496 Eigenschaften:gleichzeitig hohe Dichte und geringste Färbungüberwältigende TransparenzSubsonic-Option für Donner- und Erdbebeneffekte2xIn / 2xOut Modus (standard QRS Plug-In ≤192kHz)2xIn / 6xOut Modus (standard QRS Plug-In ≤96kHz)2 phasenneutrale Eingangskanälebis zu 6 separate Ausgangskanälebis zu 3 Stereo-Ausgangspaare mit einer Korrelation von 50% (einstellbar)bis zu 8 Pegelanzeigen (Bargraphs) auf der Frontseite24bit / 192kHz auf allen Signalwegen (±12,5% für Varispeed)niedrige Latenz <<1msMute-, Bypass- und Solo-Funktionen über farbige LED-Tipptasten auf der Frontseiteeingebauter Nadelimpuls-Testgenerator14 Kipphebel (plus/minus) für direkte Parameterveränderunginsgesamt 27 Bedienelemente auf der Frontseitebis zu 15 Plug-in-Bänke für SoftwareWebbrowser-basierte Fernsteuerung über EthernetMIDI, USBextrem kompaktes, kühles Gehäuse, 19" 1HE, nur 36mm Tiefe,universelle Stromversorgung (100-240V, 50-60Hz), Verbrauch <15VADesignteam unter der Leitung des Entwicklers des legendären QUANTEC QRS von 1982.
2498 Eigenschaften:gleichzeitig hohe Dichte und geringste Färbungüberwältigende TransparenzSubsonic-Option für Donner- und Erdbebeneffekte2xIn / 8xOut Modus (standard QRS Plug-in ≤96kHz)8xIn / 8xOut Modus (standard QRS Plug-in ≤48kHz)zweifach/vierfach 2xIn / 2xOut Modus (spezielles QRS2/4 Plug-in ≤96/48kHz) angekündigtbis zu 8 phasenneutrale Eingangskanälebis zu 4 Stereo-Eingangskanäle mit einstellbarer Tiefenstaffelungbis zu 8 separate Ausgangskanälebis zu 4 Stereo-Ausgangspaare mit einer Korrelation von 50% (einstellbar)bis zu 16 Pegelanzeigen (Bargraphs) auf der Frontseite24bit / 96kHz auf allen Signalwegen (±12,5% für Varispeed)niedrige Latenz <<1msMute-, Bypass- und Solo-Funktionen über farbige LED-Tipptasten auf der Frontseiteeingebauter Nadelimpuls-Testgenerator14 Kipphebel (plus/minus) für direkte Parameterveränderunginsgesamt 27 Bedienelemente auf der Frontseitebis zu 63 Plug-in-Bänke für SoftwareWebbrowser-basierte Fernsteuerung über EthernetMIDI, USBAnschluss über DSUB25-Buchse (AES59-, Tascam- und Yamaha-Beschaltung)Lieferung mit Kabelpeitsche (DSUB25-Stecker auf 8 XLR)extrem kompaktes, kühles Gehäuse, 19" 1HE, nur 36mm Tiefe,universelle Stromversorgung (100-240V, 50-60Hz), Verbrauch <20VADesignteam unter der Leitung des Entwicklers des legendären QUANTEC QRS von 1982.
The patented Vitalizer® filter network makes the Mk2-T an unmatched sound shaping equalizer.
Live or studio: Audio productions sound livelier, more detailed, more transparent, subjectively louder and, if required, gain a staggering low-end.
Features:
Worldwide patented Vitalizer® filter network
Disarmingly simple of use
Ideal for stereo audio production live or in the studio
Connects master or subgroup inserts
Soft and tight bass sound
Bass compressor
Mid, high, & harmonics processing
Variable input level
Stereo Expander
Hard bypass relay (power fail safety)
The Transient Designer provides a revolutionary concept for dynamic processing rendering controls such as Threshold, Ratio and Gain superfluous. The Transient Designer provides a very elaborated automation, so while the processing going on inside the box may be very complex, the user has to deal with just a pair of intuitive controls.
Differential Envelope Technology
SPL's Differential Envelope Technology is the first analog solution for level-independent shaping of envelopes allowing transients to be accelerated or slowed down and sustain prolonged or shortened. The degree of dynamic processing required to do this couldn't be duplicated even using a chain of several conventional compressors, yet only two controls per channel are required to allow the user to completely reshape the attack and sustain characteristics of a sound. Attack can be amplified or attenuated by up to 15dB while Sustain can be amplified or attenuated by up to 24dB, enabling weak drum sounds to be made much more percussive and powerful, or for over-percussive transients to be softened. All necessary time constants (Attack, Decay and Release) are automated and optimised adaptively in a musical manner according to the characteristics of the input signal. This results in natural sounding signal processing and fast operation.
How does it work?
The Transient Designer uses envelope followers to track the curve of the natural signal so that optimum results are guaranteed regardless of the input signal's dynamics. Because of the level-independent processing inherent in Differential Envelope Technology (DET), manual threshold adjustments are not required.
Sound benefits
The attack of a bass drum or a loop can be emphasised with a single control to increase the punch and the penetration in the mix
Sustain of a snare or room-sound can be shortened very musically to clean up the mix for more transparency
Acoustic or electronic instruments become "in the face" sounds or can be smoothened with lower attacks
De-verb capability! Less Sustain shortens reverb flags of any sound (more elegant than gates do)
New panorama effects based on different dynamic effects per channel – try this with loops for example
Other features and connectivity
For stereo operation the Link function connects channel pairs (1 and 2 and/or 3 and 4). Linked channels are controlled by the same side-chain voltage so as to maintain a coherent and stable stereo image. When operating in Link-mode, the control elements of the first (or third) channel, including the Active switch, control the second (or fourth) channel, too.
Each channel is equipped with a relay hard bypass circuit to ensure a minimum signal path when the process is bypassed and to provide power fail safety. The Signal-LEDs allow to quickly monitor the signal flow, which is particularly important if the four channels are connected to a patchbay. The Transient Designer is fitted with XLR-connectors for balanced operation. To improve signal quality, SPL has developed a new hybrid-component balanced input/output stage using all laser-trimmed resistors with a tolerance of 0.01%. This approach has resulted in an exceptionally high CCMR (common mode rejection) better than -80dB at 1kHz.
Originally designed as a 'distortion box' to simulate distortion in valve amps it has found lots of uses beyond this. We know that some owners use them on drum loops, vocals, piano sounds and even across entire tracks (it is a stereo unit). We have refined this so that distortion figures are reduced to only 0.2% at lowest to about 99.9% (at least that's what our distortion meter tells us!). Predominant distortion can be changed from even to odd harmonics with a simple switch. We know it's recently been rented to mix a JAMES BOND movie! If you're looking to use the Culture Vulture in a mastering application, or require balanced transformer inputs, check out the Culture Vulture MV. Warm sounds gently or create a noise like a 200 watt guitar stack with the speakers slashed Dual mono operation Odd or even harmonic distortion, or combination of both All tube design free of solid state additives High impedance line input or instrument inputs All valve design free from solid state additives 4 & 7 kHz filters Overdrive & bypass switches Maximum output level: +20dBV Distortion: 0.2% to 99.9% Noise: Variable better than 75dB below M. O. L at most settings Input Impedance: 30k Output Impedance: 2.5k ohm ( should ideally drive a 10k input impedance ) Frequency response: >1dB variation over 10Hz to 25kHz ( actually +/- 1.75dB over 50Hz to 15kHz at low distortion ) Für weitere Informationen, besuchen Sie bitte die Homepage zu diesem Produkt.
The Culture Vulture Super 15 is the most comprehensive Vulture to date. It incorporates all the features found on the 11th Anniversary edition such as the 7 extra distortion functions, but also now features a 2 position Presence switch.
The Drive switch has three positions with a +10dB option sitting squarely between ‘Normal’ and ‘Overdrive’, enabling users tomake their sounds ‘a little more crunchy’ with increased brightness.
The Function switch now offers further enhancements including special dynamic tunable mid-lift in the P positions and extra drastically-processed harmonics in the SQ positions.
The Output Level controls have a -10dB attenuator which can be used in conjunction with Drive +10dB for comparison purposes or just to reduce high levels.
The module’s line inputs are balanced while the line plus low level outputs are unbalanced. Five NOS military-grade valves are utilised for long life, low noise and enhanced performance, mirroring The Culture Vulture Mastering Plus. And of course dials now up to 15.and it really does have more gain.
Even more distortion effects including 3 SQ (“squash”) settings.
5 musically tuned sharp dynamic mid lift settings;
Bias control is more useful than ever before for type of sound and mid lift;
Extra mid way +10dB setting on Drive switch, before Overdrive (+20dB) ;
Broad Presence control on + 10 dB position;
-10dB attenuator enables comparison between the above, or useful to control high levels;
Extra Output level to easily drive DAWs;
Transformer balanced line input, unbalanced DI input;
Unbalanced Hi & Lo outputs for better transparency;
All inputs and outputs on standard TRS jacks;
Low pass filter to remove unwanted HF overtones;
Low noise, long life, selected NOS valves, carefully matched for stereo;
Bypass switches connect Line In direct to Hi output avoiding all electronics;
Made in England;
3.399,00 €*
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