Main Features
10 pure analog sounds: Kick, Snare 1, Snare 2, Tom Hi, Tom Low, Cowbell, Cymbal, Closed Hat, Open Hat, and FM Sound
64 patterns with up to 64 steps each
Separate accent per drum
Optional Color sound-shaping on all instruments (except Cowbell)
Song mode for chaining patterns
Polyrhythm capabilities: each drum track can be a separate length
Swing: global or per instrument
Randomness: generate pattern variations
Pattern Looper for beat repeat functions
Roller for real time instruments rolls
Output Distortion with bypass
Smart metronome with headphone override
Multiple sync options: Internal / MIDI / Clock, including 1PPS, 2PPQ, DIN24, and DIN48
USB MIDI interface
Master output, & optional individual audio outputs for Kick, Snares, Hats and FM Sound
3.5mm headphone output
Power beyond the matrix
The matrix can also be used to recall your presets. So go on stage, and select any of the 256 presets instantly! No menus or awkward selection screensscreens, everything is at your fingertips.
As if it was not enough, the matrix is also made to program and play sequences. This is no ordinary step-sequencer. With its ability to also be used as a modulation source, sounds evolve in melody and texture, just the way you want.
Sound beyond the power
Offering a audiosignal path that is is 100% analogue, MatrixBrute also features true analogue effects. The MatrixBrute gives you the sonic quality and power of a vast modular synthesizer but with the flexibility of presets along with a great arpeggiator and an advanced sequencer.
MatrixBrute is a truly empowering instrument!! It offers tons of connections so you can work in any set-up. It brings a quality keybed and a solid chassis.
No endless menus or screens to navigate or multi-function buttons to remember. Forget about connectivity issues. This is you in control. This is you inventing sounds. This is analog avant- garde.
Main Features
Analog Matrix Synthesizer
256 Preset memory locations
2 Analog Exponential VCO’s: -Saw + UltraSaw, Square +Pulse width, Triangle + Metalizer, Sub
1 Analog Linear VCO/LFO - Saw, Square, Triangle, Sine waveforms; LFO time divisions; Key track
VCO 2>1 Hard Sync
Audio Mod: - VCO1>2 ; VCO1 < VCO3> VCO2 ; VCF 1 < VCO3> VCF 2 ; VCF1 < Noise> VCF2
Noise Generator: - White ; Pink ; Red ; Blue noise types
5 input Audio Mixer with Filter routing
Steiner Parker filter with 12+24 db per octave modes ; Drive ; Brute factor; Low Pass, High Pass, Band Pass, Notch
Ladder filter with 12+24 db per octave modes ; Drive ; Brute factor; Low Pass, High Pass, Band Pass
2 LFO’s - Sine, Tri, Square, Ramp, Saw, Random, S&H
3 Envelope Generators - 2 Attack, Decay, Sustain, Release - 1 Delay, Attack, Decay, Sustain, Release
External Audio In
16x16 Matrix modulation panel
64 step sequencer - STEP enable, Slide, Accent, Modulation - Save and recall sequence patterns on the fly
Analog Effects - Stereo delay, Delay, Flanger, Chorus, Analog Reverberator
Arpeggiator
12 CV / Gate Inputs/Outputs
Audio Input, Line or Instrument level
Stereo audio output
MIDI and USB I/O
Pedal inputs for Expression and Sustain
A synthesizer like no other, MicroFreak is a peculiar, exceptional instrument that rewards the curious musician. It blends wavetable and digital oscillators with analog filters. It features a unique poly-aftertouch flat keyboard. It adds controlled randomness to sequences. This isn’t a revolution, it’s a mutiny.
Whether you’re looking for your first, affordable hardware synth or are collector looking for original sounds and unique interface, MicroFreak is the synth you need.
This out-there little music machine features a versatile digital oscillator so you can create rare and interesting sounds with ease. Modes like Texturer, KarplusStrong, Harmonic OSC, and Superwave give adventurous musicians the chance to explore totally new, unheard possibilities. Like having dozens of synths in just one instrument, both wild-eyed newcomers and seasoned professionals will fall in love with MicroFreak’s flexible, powerful synth engine.
Small but fierce
MicroFreak packs so much in to such a compact instrument, you'll wonder how we did it. We'd love to say it was magic, but it was pure skill and passion.
Physical modelling, wavetable synthesis, virtual analog, there is nothing as complete and exciting as the MicroFreak oscillator on the market. It's hard to believe from such a small synth, but here it is, ready for you to explore. Excite your creativity and reward your curiosity with a large, diverse sound palette. MicroFreak features 11 awesome oscillators, 4 bespoke Arturia engines, and 7 modes from our friends at Mutable Instruments.
There's a little freak inside you, and this instrument will bring it out.
The best of both worlds
Even though MicroFreak has a digital oscillator at its heart, “opposites attract” as the saying goes. That’s why we’ve included a lush-sounding analog filter.
Inspired by the trailblazing 12-dB Oberheim SEM filter, you can make MicroFreak’s filter scream or whisper to taste. The filter is state-variable, and can even auto-oscillate! You can use this is any way you like, from taking the edge of the razor-sharp wavetable sounds, or automating the cutoff by modulating it with keyboard pressure or the in-built sequencer.
Wait. Did we mention that MicroFreak has a sequencer? And a mod matrix? Things are about to get seriously interesting...
Taste the spice, throw the dice
MicroFreak is packed with unique, exciting features that let you create music with a fresh perspective.
Record up to four automations, edit notes per step or use the innovative Spice and Dice sequencer functions to find happy accidents. Add randomization to create evolving, original patterns, and virtually rewire and reconfigure its signal chain and controls with the 5x7 modulation matrix. This truly is a budget-friendly synth like no other.
“That’s a funny looking keyboard”
That’s right, it is. It isn’t really even a keyboard. It’s a PCB. Super-flat, with no moving parts. Will it track lightning-fast synth solos? You bet. Better than a traditional keyboard, actually.
Will it let you be expressive? Of course, it’s not only pressure sensitive, but also offers poly-aftertouch. This means each key can control parameters in a different way depending on how much you touch.
You can also use its USB, MIDI, and CV outputs to control instruments in your DAW and modular synths. This also means that you can also use MicroFreak as a controller to experience polyphonic aftertouch with cutting edge software instruments.
for more information see product page
RackBrute 6U is an all-inclusive Eurorack case ensuring the total security of your modules and maximum practicality in all conditions of use. Its multi-position configuration and included dependable power supply make it the true specialist solution.
Artists may have a bodyguard. Modules deserve armor-plating.
RackBrute 6U provides you with 176HP to store and secure your enviable collection of Eurorack modules in an everlasting yet lightweight aluminum chassis flanked by two wood panels. Once you're locked and loaded, your modular setup will look and feel like a monolith, yet more flexible than ever thanks the Link fastening system and the paired handle. When on the move, it will make the transport of your modular equipment a walk in the park. When in position, it will let you organize your command center the way you want it. Modules don't live on love alone, and RackBrute 6U keeps everything alive with its +12V / -12V / +5V power supply.
“This is my modular. There are many like it but this one is mine. My modular is my best friend. It is my life. I must master it as I must master my life.”
Armed and ready, Sir!
It cannot crawl, run, jump and climb, true, but it can lie down or stand up on demand.
When you have to hold your position for hours, it's better to be well set up and to have a clear view of the surroundings. For this reason, we developed the Link system, a convenient and simple-to-use fastening system that allows you to orientate the dedicated handle so that you can give your modular the most tactically advantageous position. Whether prone, crouching, or standing to attention, RackBrute 6U will always be on the lookout, ready for orders.
Troops are nothing if they are not properly fed. No problem, RackBrute 6U is not just a box. It includes an formidable +12V / -12V / +5V power supply ensuring your firepower up to 1600mA. This is coupled with a military-grade power rail with 32 available slots, including advanced noise filtering technology that guarantees optimum conditions.
With RackBrute 6U, even the most headstrong modules fall into line.
Main Features
Eurorack format, 176 HP
Aluminum Chassis
Provided with a 5 HP power module
Up to 1600mA on +12V and 1600mA on -12V (4 separate circuits of 800mA)
Up to 900mA on 5V
Power rail with
Noise filtering
32 standard power slots
20-slot zone with up to 800mA on +12V and -12V
12-slot zone with up to 800mA on +12V and -12V
Link system and smart handle to fasten a MiniBrute 2/2S or another RackBrute unit in various configurations
Built-in Spacers for the highest protection in transport configuration
Box contents
RackBrute 6U unit
Power cord
Size & weight
Instrument size : 19 x 13.2 x 3.3 inches (484 x 300 x 83mm)
Instrument weight : 8.3 lbs. (3.76 Kg)
What does the MKII version bring?
Octatrack MKII is improved, enhanced and modified. A better version of itself, built to mangle samples in demanding environments. Ensured by: high quality buttons and hi-res encoders, a crisp OLED screen with fantastic viewing angles, a professional contactless crossfader and an increased count of dedicated buttons.
Octatrack MKII features several upgrades compared to the MKI version:
Crisp OLED screen providing optimal feedback in dimly lit environments
Ultra durable back-lit buttons. Rated for 50 million presses
Contactless silky smooth performance crossfader
Precise, hi-res encoders
Increased amount of dedicated buttons enabling quicker workflow
Balanced audio inputs with plenty of headroom
8 track dynamic performance sampler
Game-changing hardware
The Octatrack MKII brings enormous sample processing ability into a machine designed for live performance. It redefines how you transform your sounds, as well as how you interact and play with them. It lets you do things that were previously impossible with a single instrument.
Natural born performer
Record samples in real time. Add live time-stretching and pitch-shifting. Use the sequencer to control both internal sounds and external MIDI gear. The Octatrack MKII can also be treated as a small mixing desk for your whole setup. The immediate control makes all the difference.
Audio mutation
The crossfader adds immense depth to your sound. First, choose how you want it to affect your samples. Then nudge the crossfader gently for the most subtle and natural-sounding changes – or knock it back and forth like you’re scratching for rapid and extreme enhancements.
What does the MKII version bring?
Analog Four MKII is the new benchmark for analog tabletop synthesizers. Tweaked circuitry delivering deeper bass than ever, new powerful sound control possibilities, dedicated outputs for each voice. Not to mention the ultra durable buttons, the big OLED screen and the premium design. No stone has been left unturned.
This is Analog Four MKII. An analog synthesizer with unmatched sound and flexibility.
Analog Four MKII features several upgrades compared to the MKI version:
Reworked analog circuitry delivering very deep and defined bass
Enhanced analog overdrive for more bite and growl
Crisp, large OLED screen providing optimal feedback in dimly lit environments
Ultra durable back-lit buttons. Rated for 50 million presses
Precise, hi-res encoders
Quick performance controls
Increased amount of dedicated buttons enabling quicker workflow
Stereo audio outputs for each voice
Expression/CV inputs for external control of Analog Four MKII parameters
Overbridge with higher bandwidth
Premium cast aluminium enclosure
4 voice analog tabletop synthesizer
Analog bliss
Organic, warm, chaotic, exact, and everything in between. Moulding your own unique analog sounds is simple. Program them with precision, or feel free to design as you go. The sonic range is so vast entire tracks can be created from scratch.
From sounds to songs
Four synth tracks and an intuitive step sequencer enable you to easily create and layer melodies. Then play back your composition and immediately reshape it. Change notes, alter sounds, add effects. Something beautifully unique will emerge every single time.
Modular control
Not only a splendid synthesizer, the Analog Four MKII can also make other gear sing. Thanks to the CV/Gate and DIN sync outputs, external analog gear can be controlled in great detail. Make any modular or vintage synthesizer rig come truly alive.
What does the MKII version bring?
Analog Rytm MKII is an analog/digital beat making dream machine. Everything – from the state of the art aluminium enclosure, via the large pads, to the new quick performance controls – is a direct result of the quest for rhythmical excellence. And now you can sample with it too.
Analog Rytm MKII features several upgrades compared to the MKI version:
Sampling capability
Crisp, large OLED screen providing optimal feedback in dimly lit environments
Ultra durable back-lit buttons rated for 50 million presses
Precise, hi-res encoders
Quick performance controls
Large pads for maximum playability
Increased amount of dedicated buttons enabling quicker workflow
Expression/CV inputs for external control of Analog Rytm MKII parameters
Balanced sampling inputs
Overbridge with higher bandwidth
Premium cast aluminium enclosure
Eight voice analog drum machine & sampler
True analog punch
What really sets the Analog Rytm MKII apart is the analog sound. It has a magic character. The depth of the kick drums, the bite of the snare drums, those cavernous toms, the airy shimmer of the hihats. Fine-tune the sounds to your liking and get working.
Elevated by samples
For ultimate creative versatility you can layer samples on top of the analog drum sounds. Capture your own sounds, or use pre-recorded material, to make your beats as smooth, as rough, as realistic or as fantastic as you’d like. The perfect unity of analog percussion and sampling simply goes beyond.
Maximized playability
When you’ve got your drums ready, record them to the sequencer and play them back. Do it using the pads, or perform detailed programming on the sequencer steps. Really meticulous or totally spontaneous: it’s up to you.
Eight voice polyphonic digital synthesizer
A new deal
Digitone represents our vision of how FM synthesis can be revitalized and modernized. Here’s how: combine FM sound generation with a classic subtractive synthesis signal flow. From jagged chaos to mellow soundscapes in less than a second. Digitone is one unique box.
Ultra digital
Choose from multiple FM algorithms featuring carefully selected parameters. Shape the tones with powerful filters. Arrange them with the intuitive Elektron sequencer. Round off with the stellar effects. Now enjoy the most spectacular sounds, seemingly emanating from some parallel universe.
Features:
Synth voice features
8 voice polyphony (multitimbral)
Multiple FM algorithms
1 × multimode filter per voice
1 × base-width filter per voice
1 × overdrive per voice
2 × assignable LFO per voice
Sequencer
4 synth tracks
4 MIDI tracks
1 arpeggiator per track
Polyphonic sequencing
Individual track lengths
Parameter locks
Micro timing
Trig conditions
Sound per step change
Send & master effects
Panoramic Chorus send effect
Saturator Delay send effect
Supervoid Reverb send effect
Overdrive master effect
Hardware
128 × 64 pixel OLED screen
2 × 1/4” impedance balanced audio out jacks
2 × 1/4” audio in jacks
1 × 1/4” stereo headphone jack
48 kHz, 24-bit D/A and A/D converters
Hi-Speed USB 2.0 port
MIDI In/Out/Thru with DIN Sync out
Physical specification
Sturdy steel casing
Dimensions: W 215 × D 176 × H 63 mm (8.5” × 6.9” × 2.5”) (including knobs and feet)
Weight: approximately 1.49 kg (3.3 lbs)
100 × 100 mm VESA mounting holes. Use M4 screws with a max length of 7 mm.
Miscellaneous
Overbridge enabled
Included in the box
Power Supply PSU-3b
Elektron USB cable
Packed with great sounds
The sound engine uses high-quality digital samples. There are 300 preset sounds supplied by Splice, ranging from the familiar kicks, snares, and hi-hats to exotic, never-before-heard ones. With a few tweaks, you can easily personalize any sample until it sounds just the way you want it. Transfer your own samples into it, or use any of the expertly crafted custom sound packs.
Dedicated knobs
As an Elektron first, this machine offers a complete set of tactile controls, with one function per knob. They’re all right there on the front panel; just grab a knob and twist it. Unleash your music spontaneously using the six tough, velocity-sensitive pads. Record your every move live, or punch in your creation one step at a time using the superb Elektron sequencer.
Ready to go
At under one kilogram, you’re getting the benefits of a light and convenient machine that will surprise you with its snarling sonic power.
Key Features
Control All lets you twist your sounds to oblivion. Then use Reload to take you back to where you started
Use Parameter Locks to automate parameters. Each step can have a totally different sound
With sample locking you can really flex that sequencer muscle. Assign different samples to individual steps of a pattern, allowing you even more creative space
Load six samples at once – just like a kit. Great when you have made a Pattern with Parameter Locks, LFOs etc… Load six new samples to instantly experiment and come up with unique and unexpected results
Write basslines and melodies using Chromatic Mode
New Chance parameter. Chance determines the possibility whether the sequencer steps on a track are triggered or not. Combining Chance with the Control All functionality can lead to many interesting results and happy accidents
Record sequences with or without quantization. Steps can be micro-timed with individual Swing control per track
Individual Step Length per track
Individual Tempo Multiplier per track
Class compliant USB audio 2.0
Die B4000+ packt die legendäre Hammond B3 Orgel in eine ultra kompakte Box. Niemand würde eine Gitarre ohne Hals bauen, ohne geht es einfach nicht. Darum haben wir die B4000+ entwickelt, mit neun Zugriegeln: zum Anfassen, zum Schrauben, aber am wichtigsten: zum Spielen!
Basierend auf einem der besten und leistungsfähigsten digitalen Signalprozessoren auf dem Markt, dem Sharc DSP von Analog Devices, wurde der Klang und die Wärme der B3 bis ins letzte Detail liebevoll nachgebildet – mit allen elektrischen und mechanischen Unzulänglichkeiten, die das Instrument zur Legende gemacht haben.
Eben eine echte Orgel mit voluminösem Bass-Bauch, definierten Mitten und dem nötigen “Scream” in den Höhen: Der authentische Sound einer lebendigen elektromechanischen B3.
Die B4000+ simuliert alle 91 Tonewheels, wenn gewünscht, auch mit Übersprechen, und mechanischem Verschleiß. Alles natürlich voll-polyphon, mit Scanner-Vibrato, Röhrenverstärker und Hall, und – selbstverständlich – dem legendären Leslie. Alles perfekt simuliert und abgestimmt.
Nur das Gewicht des Originals haben wir etwas reduziert.
Zwei Keyboards können direkt mit den MIDI Ports der B4000+ verbunden werden, ohne einen MIDI Merger zu benötigen, um sowohl das obere als auch das untere Manual spielen zu können. Natürlich kann auch ein Pedal Manual hinzugefügt werden – damit sind alle drei Manuale mit voller Polyphonie komplett. Für externe Lautstärkekontrolle kann auch ein Pedal angeschlossen werden, und auch ein Schalter für Sustain oder Rotorgeschwindigkeit. Auch mit nur einem angeschlossenen Keyboard können zwei Manuale mit der Split Funktion gespielt werden. Per USB kann die B4000+ mit dem Sequencer des PC verbunden werden.
Ein externes analoges Signal, angeschlossen an der B4000+, kann an einem beliebigen Punkt der Effektkette eingespeist werden.
Die B4000+ ist das perfekte und kostengünstige Instrument für den legendären Orgelsound – im Taschenformat.
Mellotron Digitales Mellotron M4000DThe new digital Mellotron was very well received at NAMM 2010 and Frankfurt 2010. It and has been developed by us here at Mellotron and is solely our own product and has nothing to do with any other manufacturer. Some initial specifications:It is a 24 bit digital uncompressed audio playback unit with ca 100 Mellotron and Chamberlin sounds. Extra cartridges will be available. It has a custom built full Mellotron style wood keyboard with depth sensitivity. The front panel user inteface has 2 TFT-displays of high quality and are capable of showing pictures of the actual instruments. The dimensions of the cabinet are 34"x19.5"5.25" (86x50x13.5cm) (WxDxH). Here are some pictures of the digital Mellotron with it's user interface and a side and back view of the cabinet.We will be at Frankfurt Musikmesse 2011 in the EMC booth (Moog distributor for Germany) in hall 5.1 booth C47.
The M4000D MINI Mellotron was developed to meet the needs of keyboardists who want an even smaller and lighter Digital Mellotron. The MINI is also designed to fit perfectly on top of the regular M4000D to make a great looking dual manual Mellotron.
Same features, sounds and front panel as the M4000D. Only differences compared to the M4000D:
High-quality semi-weighted Fatar piano style keyboard with velocity sensitivity. No aftertouch.
Lightweight sheet metal cabinet, fits perfectly on the M4000D, total weight only 21 pounds (9.5 kg).
Same output signals as the M4000D, but only unbalanced 1/4" connectors.
The weight is 9.5 kg instead of 17.5 kg for the regular M4000D.
Dimensions: 807x329x76 mm
Die 19"-Rack-Version des Mellotron M4000D bietet sämtliche Features der Keyboard-Variante. Klangerzeugung und technische Ausstattung sind identisch. Auch hier lassen sich ausnamslos alle Funktionen direkt auf dem Bedienfeld erreichen. Zusätzlich verfügt das Mellotron M4000D Rack über einen Regler für die Kopfhörer-Lautstärke auf dem Front-Panel.Wird ein entsprechend ausgestattetes MIDI-Keyboard verwendet, lässt sich auch beim Mellotron M4000D polyphoner Aftertouch nutzen.Abmessungen: 19"-Standard-Rack-Format, 2 HE Einbauhöhe
DFAM is the first addition to the Mother ecosystem of synthesizers and presents an expressive hands-on approach to percussive pattern creation. It requires no patching, and absolutely no experience is needed for human-beings of any age to quickly begin synthesizing new and unique rhythmic compositions.Activated by an easy-to-use analog sequencer, DFAM’s emotive sound begins with a white noise generator and two wide-range analog oscillators - effortlessly transitioning between rhythmic pulsations, resounding bass and resonant bells in an instant. DFAM’s distinctive voice is then shaped by a classic Moog Ladder filter with two selectable modes: Low Pass mode imparts impact and dimension to each sound it touches, while High Pass mode opens the door to naturally expressive strikes, spikes and clangorous accentuations.DFAM behaves much like a living organism, reacting in different ways to different individuals. 3 dedicated analog envelopes work dynamically with the sequencer to ensure that tribal toms breathe, industrial impacts evolve, and sonic chaos can be created or subdued at the turn of a knob.Each DFAM ships with a package of Moog patch cables that unlock access to the 24-point modular patchbay. Use it to create new sounds or bizarre behaviors, synchronize an unlimited number of DFAM and Mother-32 units together, or fully integrate your analog instrument into a modular Eurorack production environment.Through exploration and experimentation, the vast potential of this expressive analog instrument is realized.
Grandmother is a sonic playground that harkens back to Moog’s modular roots, where synthesis is not only about the end result, but the journey of discovery and experimentation. While capable of highly complex sounds and modulation, Grandmother's semi-modular design requires absolutely no patching, ensuring that human beings of any skill-level can easily explore and experience the joys and magic of analog synthesis. Inspired by the classic Moog modular synthesizers that came before it, Grandmother's sound engine, modulation engine and onboard spring reverb tank are completely analog, resulting in an unrestricted sonic vocabulary of immeasurable beauty and power. In addition, Grandmother also features an easy to use Arpeggiator and Sequencer for added enjoyment and programmable syncopation. Though not required, creative patching and exploration are the keys to discovering exciting new relationships between modules and to truly unlocking Grandmother’s infinite expanse of auditory inspiration. Patching can also be used to override internal connections, allowing each section to function just as an independent module would. In addition to its standalone function, Grandmother is also an ideal analog audio processor for external sound sources, and a powerful keyboard front end for expanding a Mother-32, DFAM or Eurorack modular system.
Features:
Hardware Spring Reverb can be used to process external sounds
¼” External audio input for guitars, drum machines, and more.
Semi-modular - no patching is required
Easy to use Arpeggiator and Sequencer
Store up to 3 sequences with up to 256 notes each
2 Analog Oscillators with selectable waveshape and hard sync
Classic 4-Pole 10Hz-20kHz Ladder filter
Patchable 1-Pole High Pass filter
Analog ADSR Envelope Generator
Analog LFO with audio-rate capabilities
32-note Fatar keyboard with velocity
All normalized connections can be interrupted for full modularity
DIN MIDI In/Out/Thru and USB MIDI
Patchable bipolar attenuator
Works with Mother-32, DFAM, Eurorack modular systems and more
41 patch points with 21 inputs, 16 outputs and a Parallel-Wired 4-jack Mult
MODULE PROVENANCE
Oscillators based on Moog Minimoog
Mixer based on Moog CP3
Filter based on Moog 904
Envelope Generator Based on Moog 911
VCA Based on Moog 902
Spring Reverb based on Moog 905
How deep does the rabbit hole go? Meet Labyrinth, an idea machine that
aims to answer that very question. Two generative sequencers bring to life
sounds that bloom over time, letting you control their evolution and scale,
then play them off of each other for striking polymetric melodies. With
parallel analog signal paths, this unique instrument shines when adding
color to the steady backdrop of a drum pattern or bassline. Fully capable
of standing on its own, or adding flavor to your existing rack, Labyrinth is
the lightning in a bottle that drives your compositions into undiscovered
creative caverns. Dual generative sequencers create intertwining melodies that mutate over
time. It’s a fountain of inspiration that uncovers patterns you can capture,
return to, and evolve.A fresh approach to the signature sound of classic Moog synthesizers with
a smooth West Coast-style voltage-controlled wavefolder. Two oscillators
drive duophonic melodic counterpoints, metallic FM tones, and analog
synthetic drums.State variable resonant voltage-controlled filters that morph between
lowpass and bandpass responses let you experiment with smooth
command over complex tonal shapes.A parallel voice processing path with a voltage-controlled blending allows
you to morph sounds over time.A comprehensive patch bay for integration with a wide variety of other
modules in your rack and studio. ANALOG SYNTHESIS ENGINESOURCES: VCO, MOD VCO, RING MOD, NOISE GeneratorSIGNAL PROCESSORS: 1x Voltage-Controlled Wavefolder, 1xVoltage-Controlled State-Variable Filter, 2x Voltage-Controlled AmplifiersMODULATORS: 2x Decay-only envelope generatorsDUAL GENERATIVE SEQUENCER2x 8-step Generative Digital Sequencers
PATCH BAYJACKS: 32 x 3.5mmINPUTS: 20 Input JacksOUTPUTS: 12 Output JacksREAR PANELAUDIO: 1⁄4” TRS Headphone or 1⁄4” TS InstrumentPOWER: Power Supply connectionSECURITY: Kensington Lock slotPOWER SUPPLY (INCLUDED)STYLE: Wall adapter; barrel connection; center-pin positiveINPUT: 100 – 240VAC; 50 Hz – 60 HzOUTPUT: +12VDC; 1200mAPOWER CONSUMPTIONTYPICAL: 4.0 WEURORACK SPECSCURRENT DRAW: 290 mA (maximum) from +12VDC (10-pin header)MOUNTING DIMS: 60HP (18mm Module Depth)IN THE BOXLabyrinth Semi-Modular Parallel Generative Analog SynthesizerPower SupplyPatch Sheet OverlaysPatch Cables (5x 12")Registration CardQuickstart GuideCheat CodesSafety & Warranty Manual
Features:
VOICE MODE: Mono, duo, and 4-note paraphonic playability
ANALOG DELAY: Stereo analog delay w/ up to 700ms of MIDI sync-able stereo or ping/pong style repeats: SEQUENCER
256 step sequencer w/ up to 4 notes per step and 12 stored patterns. Can be decoupled from Matriarch to independently sequence external gear.
ARPEGGIATOR: Arpeggiator with selectable modes (Order, Forward/Backward, Random).
SEMI-MODULAR DESIGN: Semi-modular analog synthesizer - no patching required.
MODULAR CAPABILITIES: 90 modular patch points for endless exploration
KEYBOARD: Expressive 49-note Fatar keyboard w/ patchable velocity and aftertouch.
ANALOG OSCILLATORS: 4 analog oscillators w/ selectable waveshape and hard sync per-oscillator.
LFO: Full-range analog LFO with 6 selectable waveshapes.
LADDER FILTERS: Dual analog filters with parallel (HP/LP), stereo (LP/LP), and series (HP/LP) modes available.
ENVELOPE GENERATORS: Dual analog ADSR envelopes.
VOLTAGE CONTROLLED AMPLIFIERS: Dual analog VCAs.
ATTENUATORS: 3x bipolar voltage controlled attenuators with ring mod capability.
MULTIPLES: 2x4 parallel wired unbuffered mults.
SECOND LFO: Additional simple analog LFO useful for adding modulation to delay, filters and VCAs.
EXTERNAL PROCESSING: 1/4“ external audio input for processing guitars, drum machines, and more through Matriarch’s analog circuits.
OUTPUTS: Stereo ¼” and 3.5mm Eurorack level audio outputs.
Minimoog Model DBuilt to last a lifetime, each new Minimoog Model D delivers the revered quality, undefinable feel, and authentic sound of a pristine vintage Moog.Placing the utmost importance on high-quality materials, all components are carefully sourced and crafted to capture the indescribable feeling of the original Minimoog Model D.This reissue features the identical sound engine and signal path of the 1970s Model D plus a series of popular modifications.Sounding as vibrant as ever, the Model D retains the exact component placement and through-hole design of a 1970s-era Minimoog Model D.SpecificationsNumber of Keys: 44Keyboard Range: F0 to C4Keyboard Action: Synthesizer (Spring)Note Priority: (Low, High, Last): User SelectableSound Sources: 3x Oscillators, Noise Generator and External Audio InputOscillators Frequency Range: 0.1 to 20 kHz (In Six Overlapping Ranges)Oscillator Stability: (short term) > 0.25 %Oscillator Waveforms: Triangle, Triangle-Sawtooth (Oscillator-1, Oscillator-2), Reverse Sawtooth (Oscillator-3), Sawtooth, Rectangle, Wide Pulse and Narrow Pulse.Noise Generator: White and PinkLFO Rate: 0.05Hz to 200 HzLFO Waveform: Triangle (knob down); Square (knob up)External Modulation Input Range: +10 millivolts to +2 voltsExternal Modulation Input Impedance: 1MEG OhmsFilter Type: Voltage Controlled Low Pass (Ladder Filter)Filter Frequency Range: 10 Hz to 20 kHzFilter Slope: 24 dB per OctaveFilter Keyboard Tracking: ⅓, ⅔, 1:1Contour Attack Time: 1 millisecond to 10 secondsContour Decay Time: 4 milliseconds to >35 secondsContour Sustain Level: 0 to 100% of Contour peakFilter Contour Width: 0 to 4 OctavesVoltage Controlled Amplifier: Loudness Contour Dynamic Range 80 dBExternal Audio Input Voltage: +10 millivolts (min); +10 volt (max.)External Audio Input Nominal Impedance: 1000K OhmsHigh Audio Output: Typical Voltage: 0.5 volts / Maximum Voltage: 4.2 volts (peak-to-peak)High Audio Output Nominal Impedance: 3K OhmsLow Audio Output: (30 dB below High level): Typical Voltage: 15 millivoltsLow Audio Output Nominal Impedance: 1K OhmsHeadphone Output Voltage: Maximum 0.3 voltsHeadphone Output Impedance: 8 OhmsGlide Rate: 1 millisecond to 10 secondsPitch bend range: (+/-) Perfect 5thAfter PRessure CV Output (¼”TS): 0 to +5 volts with user adjustable trimpotPitch CV Output (¼”TS): -3 volts to +7 volts (C=0 volts)Gate Output (¼”TS): 0 to +5 voltsVelocity Output (¼”TS): Selectable 0 to +5 volts or 0 to +10 volts with user adjustable trimpot.Loudness Input (¼”TRS): 0 to +5 volts; +5 volts = Unity Gain (Works with Moog EP-3 Expression Pedal)Filter Cutoff Input (¼”TRS): 1 volt per octave of change (Works with Moog EP-3 Expression Pedal)Oscillator Pitch Input (¼”TRS): 1 volt per octave of change (Works with Moog EP-3 Expression Pedal)Modulation Source Input (¼”TRS): Ring=Noise Send; Tip=Modulation Receive (This jack makes a normalled connection with no cable present.)Trigger Input (¼”TS): +5 volt V-Trigger Activates both Contour GeneratorsMidi Input (5-Pin DIN): Note On, Note #, Pitch Wheel, Mod WheelMidi Output (5-Pin DIN): Note On, Note #, Pitch Wheel, Mod Wheel, Velocity, AftertouchMIDI THRU (5-pin DIN): Mirror of the MIDI In signalExternal Power Supply: Self-Switching; 100-240 volts; 50/60 Hz; <12 Watt nominal consumption. (Locking XLR-4 connector.)Dimensions: (with panel lowered): Width: 28.625" / 727 mm, Depth: 17.125" / 435 mm, Height: 5.75" / 146 mm.Net Weight: 32 lbs. / 14.5 kg.Storage Temperatur: 5F to 140F (2C to 60C)Nominal Operating Temperatur: 10 - 35 C (50 -95 F)Operating Temperatur: 10 - 50 C (50 - 122 F)Specifications Subject To Change Without Notice
Minitaur is a powerful, compact Analog Bass Synthesizer that features a classic one knob per function design. It is the first instrument in the Taurus family that does not have foot pedals. At only 8.5" x 5.25" and less than 3lbs, the Minitaur puts legendary analog Moog bass into a package designed to fit seamlessly into today's performance and production environments. There are no confusing or convoluted menus to dig through. Plug in a MIDI controller or hook it up to your computer and start playing immediately.Don't be fooled by it's size. Minitaur delivers all the growl, snarl and low end associated with the Taurus family of Bass Synthesizers in a rugged performance package that is small enough to take with you anywhere.• One knob per function interface for tweaking and creating new sounds on the fly. It also makes live performance a blast.• Two oscillators with Sawtooth (Original Taurus) and Square wave-shapes for each VCO. Recreate sounds of the original Taurus with Sawtooth waves, or create new sounds with square waves or a combination of both.• 2 Mixer VCAs for VCO levels control of Oscillators 1 and 2.• Moog Ladder Filter with adjustable resonance delivers classic Taurus 1 and 3 bass and boom.•Two Minimoog style ADSR Envelope Generators for modulating VCF and VCA. The Decay and Release segments are controlled by the Decay knob, while the Release segment is enabled or disabled via Release On/Off switch.• Midi-syncable LFO with Controls for Rate, VCO LFO Amount, and VCF LFO Amount• DIN MIDI and MIDI over USB offer complete control of the Minitaur's sound engine.• Analog Control inputs for Pitch, Filter, Volume and Gate. Use an EP2 or CV to connect and control MInitaur with everything from Modulars to Moogerfoogers.• External audio input for processing external audio through the Mixer and Filter section of Minitaur.• Headphone output with 1/8" connection.• Compact rugged steel chassis that is built like a tank.Front Panel Controls:•VCO2 Frequency – Sets the frequency offset of VCO2 from VCO1 from -1 Octave to +1 Octave. Center is unison with VCO1.•Oscillator 1 & 2 Saw/Square Waveform Selector – Selects a Sawtooth wave (LED OFF) or Square wave (LED ON) Signal for VCO1 and 2. •VCO1 Level – Sets the level of VCO1•VCO2 Level – Sets the level of VCO2•VCF Cutoff – Sets the Cutoff Frequency of the 4-pole Moog Lowpass VCF from 20Hz to 20KHz •VCF Resonance – This sets the gain for the amount of signal from the output of the VCF fed back to the input of the VCF. This creates a peak in Frequency response at the Cutoff Frequency that can be increased all the way to self-oscillation.•VCF EG Amount – Bi-polar control sets the (+) or (-) Amount of Envelope Generator modulation of the VCF. Center is no Envelope Generator modulation.•LFO Rate – Sets the frequency of the LFO. Range is from 0.01Hz to 100Hz•LFO VCO Amount – Sets the Amount that the LFO modulates the VCO•LFO VCF Amount – Sets the Amount that the LFO modulates VCF•VCA EG Attack – Sets the attack Time of a Minimoog-Style ADSR Envelope Generator used to modulate the VCA. Time ranges from 1 msec to 30 seconds.•VCA EG Decay/Release – Sets both the decay time to the sustain level and release time of a Minimoog-Style ADSR Envelope Generator used to modulate the VCA. Time ranges from 1 msec to 30 seconds. The Release segment of the EG is enabled by the Release On/Off switch.•VCA EG Sustain – Sets the sustain level of a Minimoog-Style ADSR Envelope Generator used to modulate the VCA.•VCF EG Attack – Sets the attack Time of a Minimoog-Style ADSR Envelope Generator used to modulate the VCF. Time ranges from 1 msec to 30 seconds.•VCF EG Decay/Release – Sets both the decay Time to the sustain level and release time of a Minimoog-Style ADSR Envelope Generator used to modulate the VCF. Time ranges from 1 msec to 30 seconds. The Release segment of the EG is enabled by the Release On/Off switch.•VCF EG Sustain – Sets the sustain level of a Minimoog-Style ADSR Envelope Generator used to modulate the VCF.•Release On/Off Switch – Enables (LED On_ or Disables (LED Off) the Release segments of both Envelope Generators.•Glide On/Off Switch – Enables/ Disables the Glide function•Glide – Sets the rate of Glide when the note controlling the MINITAUR changes.•Volume – The Master Volume of the MINITAUR’s synth Engine.•Fine Tune – Adjusts the frequency of the VCOs +/- 1 semitone.•MIDI Indicator LED – Indicates incoming MIDI activity•LFO Rate Indicator LED – Indicates the rate of the LFO.Back Panel:•Audio Out – 1/4" Unbalanced jack.•Headphones -- Jack for stereo headphone output.•Audio In – 1/4" Unbalanced jack accepts line-level input.Analog CV Inputs:•Pitch CV – 1/4" TRS Jack accepts 0 to +5V signal (internally processed for 1 V/Octave) via passive Expression Pedals or CVs.•Filter CV – 1/4" TRS Jack accepts 0 to +5Vsignal via passive Expression Pedals or CVs.•Volume CV – 1/4" TRS Jack accepts 0 to +5Vsignal via passive Expression Pedals or CVs.•Gate – 1/4" Jack accepts a 0 (Off)/ +5V(On) Gate signal to trigger the unit’s EGs.MIDI:•MIDI (DIN) – Standard DIN MIDI input for MIDI Control of the MINITAUR•MIDI (USB) – Type B USB connector for connecting MINITAUR to host for USB MIDI.
The Moog Mother-32 is the first tabletop semi-modular synthesizer from Moog. It is a distinctive analog instrument that adds raw analog sound, sequencing and extensive interconnectivity to any electronic or modular ecosystem. This expansive new live performance and production instrument is handcrafted in Asheville, NC and has been meticulously designed to provide musicians with a diverse array of creative tools to inspire new music, unique sound and endless sonic exploration.Mother-32 comes secured in a rugged extruded aluminum enclosure with wood sides and features a voltage controlled 32-step sequencer with 64 sequence locations, definitive Moog low pass and high pass Ladder Filter, 2 voltage controlled mixers, a classic Moog oscillator with dual outputs, wide-range LFO with audio-rate modulation capability, MIDI input and MIDI to CV conversion, white noise, a modular patchbay with 32 patch-points for extended synthesis complexity and an assignable CV jack with 16 assignable sources.
Semi-Modular design requires no patching for swift, inspired music creation
Voltage Controlled 32 Step Sequencer with 64 Sequence Locations
Low Pass & High Pass Moog Ladder Filter (20Hz–20kHz) with voltage controlled resonance
External audio input for processing outside sound sources
Definitive Moog oscillator with Pulse and Sawtooth wave outputs
5-pin MIDI input and MIDI to CV converter
32 Modular Patch Points (Includes 5 patch cables)
2 Voltage controlled mixers
Superb companion to Werkstatt 01, Minitaur and other synthesizers
Main module can be easily transferred into a Eurorack skiff or case
Mount 2 or 3 units vertically with optional 2 and 3 Tier kits
Complete solution for new Eurorack users – no other items required
TRIANGLE CORE OSCILLATORSEach Moog One voice employs three newly developed triangle core analog VCOs. The output of each oscillator is a user-defined mix of the selectable triangle / sawtooth wave, plus a variable-width pulse wave. Expanding beyond traditional oscillator designs, the rise/fall time of the triangle wave and the reset phase of the sawtooth wave can be shaped and modulated to create to a rich palette of classic analog tones. Blending the tri/saw and pulse waves together opens new dimensions of harmonic freedom, creating complex waveforms not typically found in analog synthesizers. The Moog One oscillator section is also equipped with hard sync, analog ring modulation, and FM for boundless analog sound generation.
DUAL SOURCE NOISE GENERATOREach Moog One voice includes an advanced dual-source analog noise generator that allows different colors of noise to be selected and mixed, while and dynamically articulated utilizing the dedicated noise envelope generator. This unique module is a powerful tool for adding percussive attacks, breath, or full-body impact to a sound.
MIXERMoog One offers a flexible analog mixer, providing volume controls and filter routing selections for each oscillator, noise generator, ring modulator, and external audio input -- sound sources can be shaped by different filters independently, or at the same time.
LADDER AND STATE VARIABLE FILTERSThere are two types of analog filters in Moog One. The first is a newly-designed multimode State Variable Filter that brings razor-like precision and articulation to the instrument. The second is a classic Moog Ladder filter with selectable low pass / high pass behavior. These two filters can process sounds individually or together, in series or parallel operation, to access a vibrant spectrum of classic, obscure, and completely new filter sounds.
LOW FREQUENCY OSCILLATORSCyclical motion within Moog One is generated by 4 wide-range LFOs that can be assigned to nearly any destination. Capabilities include MIDI synchronization and clock division, start delay time, number of repeats per instance, fade in and out time, and much more.
ENVELOPESDynamic sound shaping within Moog One comes via its 3 assignable DAHDSR Envelopes (Delay, Attack, Hold, Decay, Sustain, Release). In addition to looping, synchronization, and time scaling capabilities, the character of each envelope can be user-sculpted through utilization of per-stage envelope curves.
MODULATIONEasily create modulation assignments from any of Moog One’s 4 LFOs and 3 EGs by pressing their corresponding Destination Button -- the next knob touched sets the modulation path and amount. For more complex modulation options, Moog One also employs an internal Modulation Matrix with visual access to every possible combination of the instrument’s extensive synthesis and controller components.
SYNTH EFFECTS, MASTER BUS EFFECTS, AND EVENTIDE® REVERBSMoog One features a growing library of programmable per-synth effects and master bus effects that include chorus, delay, phase, bit reduction, vocoding, and a suite of premium reverbs from Eventide® including Blackhole, Shimmer, Plate, Room, and Hall. Effects can be applied in two ways: as Synth Effects and Master Bus Effects. Synth Effects are applied to individual layers of timbrality, while Master Bus Effects can be applied via sends to all three synthesizers. Though its onboard effects are digital, Moog One retains a completely analog signal path with no in-line conversion when insert effects are off.
TRI-TIMBRALITY AND UNISON MODEComprised of three independently addressable analog polysynths, the tri-timbral Moog One design allows voices to be easily assigned, split, layered, or stacked with up to 48 oscillators in Unison Mode. Additionally, each synthesizer is equipped with its own fully-featured step sequencer, arpeggiator, and effects processor. Multitimbral synthesis is simplified through the Moog One ‘Panel Focus’ module. Selecting a Synth for Panel Focus causes the Moog One front panel knobs and buttons to switch control to that layer of timbrality. Users can also select multiple layers at once for simultaneous adjustment of multiple synthesizers.
KEYBOARD AND X/Y PADMoog One’s premium 61-note Fatar TP-8S keyboard with velocity and aftertouch ensures a balanced and dynamic playing experience for any user. In addition, milled aluminum pitch and mod wheels and a pressure-sensitive X/Y pad provide a fully assignable means of emotive expression and continuously variable control.
MORE BUTTONNearly every module is equipped with a triangular “More” button in the upper right corner. When “More” is pressed, the Moog One LCD screen reveals additional parameters specific to that module, accessing deep-level features and advanced controls.
PRESETS AND PERFORMANCE SETSA Moog One preset is a self contained creative environment, saving the parameter settings for all 3 layers of timbrality, along with all of their respective sequencer, arpeggiator, and modulation settings. Moog One has the ability to store and recall tens of thousands of presets that can easily be categorized, edited, notated, and even shared via USB drive. Up to 64 Presets can also be loaded to Moog One’s ‘Performance Set’ module, where they are instantly selectable via a front panel “Bank / Preset” button configuration—a must for live performance and sessions.
USER SPACESPreserving more than just presets, the User Space saves all of the global behaviors, MIDI settings, port and pedal configurations, knob behaviors and even the LED brightness of your working environment, which is critical for studios and working musicians. Multiple User Spaces can be created, saved, and recalled – either from internal memory, or from an external USB drive, allowing you to instantly transfer your creative work spaces from one instrument to another.
SNAPSHOTSWhen exploring a sound, pressing the Snapshot Button allows Moog One to easily capture and recall a time-stamped picture of a preset at its current settings, removing the need to continually save data manually while experimenting with new ideas.
ANALOG AND DIGITAL CONNECTIVITYMoog One’s rear panel is populated with 2 assignable pairs of stereo audio outputs, 4 assignable inserts, and 2 external audio inputs with support for XLR and ¼” input. MIDI communication comes through 5-pin DIN and USB connection, which also offers system backup and restore via USB drive. 9 configurable CV inputs and outputs (with expression and sustain pedal inputs) are also included.
CONFIGURATIONSMoog One is available in 8 or 16-voice configurations only. Upgrades from 8 to 16 voice units are not available at the present time
TRIANGLE CORE OSCILLATORSEach Moog One voice employs three newly developed triangle core analog VCOs. The output of each oscillator is a user-defined mix of the selectable triangle / sawtooth wave, plus a variable-width pulse wave. Expanding beyond traditional oscillator designs, the rise/fall time of the triangle wave and the reset phase of the sawtooth wave can be shaped and modulated to create to a rich palette of classic analog tones. Blending the tri/saw and pulse waves together opens new dimensions of harmonic freedom, creating complex waveforms not typically found in analog synthesizers. The Moog One oscillator section is also equipped with hard sync, analog ring modulation, and FM for boundless analog sound generation.
DUAL SOURCE NOISE GENERATOREach Moog One voice includes an advanced dual-source analog noise generator that allows different colors of noise to be selected and mixed, while and dynamically articulated utilizing the dedicated noise envelope generator. This unique module is a powerful tool for adding percussive attacks, breath, or full-body impact to a sound.
MIXERMoog One offers a flexible analog mixer, providing volume controls and filter routing selections for each oscillator, noise generator, ring modulator, and external audio input -- sound sources can be shaped by different filters independently, or at the same time.
LADDER AND STATE VARIABLE FILTERSThere are two types of analog filters in Moog One. The first is a newly-designed multimode State Variable Filter that brings razor-like precision and articulation to the instrument. The second is a classic Moog Ladder filter with selectable low pass / high pass behavior. These two filters can process sounds individually or together, in series or parallel operation, to access a vibrant spectrum of classic, obscure, and completely new filter sounds.
LOW FREQUENCY OSCILLATORSCyclical motion within Moog One is generated by 4 wide-range LFOs that can be assigned to nearly any destination. Capabilities include MIDI synchronization and clock division, start delay time, number of repeats per instance, fade in and out time, and much more.
ENVELOPESDynamic sound shaping within Moog One comes via its 3 assignable DAHDSR Envelopes (Delay, Attack, Hold, Decay, Sustain, Release). In addition to looping, synchronization, and time scaling capabilities, the character of each envelope can be user-sculpted through utilization of per-stage envelope curves.
MODULATIONEasily create modulation assignments from any of Moog One’s 4 LFOs and 3 EGs by pressing their corresponding Destination Button -- the next knob touched sets the modulation path and amount. For more complex modulation options, Moog One also employs an internal Modulation Matrix with visual access to every possible combination of the instrument’s extensive synthesis and controller components.
SYNTH EFFECTS, MASTER BUS EFFECTS, AND EVENTIDE® REVERBSMoog One features a growing library of programmable per-synth effects and master bus effects that include chorus, delay, phase, bit reduction, vocoding, and a suite of premium reverbs from Eventide® including Blackhole, Shimmer, Plate, Room, and Hall. Effects can be applied in two ways: as Synth Effects and Master Bus Effects. Synth Effects are applied to individual layers of timbrality, while Master Bus Effects can be applied via sends to all three synthesizers. Though its onboard effects are digital, Moog One retains a completely analog signal path with no in-line conversion when insert effects are off.
TRI-TIMBRALITY AND UNISON MODEComprised of three independently addressable analog polysynths, the tri-timbral Moog One design allows voices to be easily assigned, split, layered, or stacked with up to 48 oscillators in Unison Mode. Additionally, each synthesizer is equipped with its own fully-featured step sequencer, arpeggiator, and effects processor. Multitimbral synthesis is simplified through the Moog One ‘Panel Focus’ module. Selecting a Synth for Panel Focus causes the Moog One front panel knobs and buttons to switch control to that layer of timbrality. Users can also select multiple layers at once for simultaneous adjustment of multiple synthesizers.
KEYBOARD AND X/Y PADMoog One’s premium 61-note Fatar TP-8S keyboard with velocity and aftertouch ensures a balanced and dynamic playing experience for any user. In addition, milled aluminum pitch and mod wheels and a pressure-sensitive X/Y pad provide a fully assignable means of emotive expression and continuously variable control.
MORE BUTTONNearly every module is equipped with a triangular “More” button in the upper right corner. When “More” is pressed, the Moog One LCD screen reveals additional parameters specific to that module, accessing deep-level features and advanced controls.
PRESETS AND PERFORMANCE SETSA Moog One preset is a self contained creative environment, saving the parameter settings for all 3 layers of timbrality, along with all of their respective sequencer, arpeggiator, and modulation settings. Moog One has the ability to store and recall tens of thousands of presets that can easily be categorized, edited, notated, and even shared via USB drive. Up to 64 Presets can also be loaded to Moog One’s ‘Performance Set’ module, where they are instantly selectable via a front panel “Bank / Preset” button configuration—a must for live performance and sessions.
USER SPACESPreserving more than just presets, the User Space saves all of the global behaviors, MIDI settings, port and pedal configurations, knob behaviors and even the LED brightness of your working environment, which is critical for studios and working musicians. Multiple User Spaces can be created, saved, and recalled – either from internal memory, or from an external USB drive, allowing you to instantly transfer your creative work spaces from one instrument to another.
SNAPSHOTSWhen exploring a sound, pressing the Snapshot Button allows Moog One to easily capture and recall a time-stamped picture of a preset at its current settings, removing the need to continually save data manually while experimenting with new ideas.
ANALOG AND DIGITAL CONNECTIVITYMoog One’s rear panel is populated with 2 assignable pairs of stereo audio outputs, 4 assignable inserts, and 2 external audio inputs with support for XLR and ¼” input. MIDI communication comes through 5-pin DIN and USB connection, which also offers system backup and restore via USB drive. 9 configurable CV inputs and outputs (with expression and sustain pedal inputs) are also included.
CONFIGURATIONSMoog One is available in 8 or 16-voice configurations only. Upgrades from 8 to 16 voice units are not available at the present time
Spectravox, the newest member of the Moog semi-modular family, is a groundbreaking tool for sculpting sound. An analog spectral processor based around a 10-band filter bank, Spectravox creates lively drones and colorful tonal sweeps on its own and adds resonant depth and psychedelic spectral movement to any external sound. Hook up a microphone and Spectravox becomes a 10-band analog vocoder with innovative integrated modulation of all of its filters. An exploration and expansion of the topology of the vocoder and filter bank, Spectravox is a highly flexible instrument and signal processor with a comprehensive patch bay for integration into studios of all sizes.Analog Sound EngineSound Source: VCO, White Noise GeneratorFilter: 10x variable resonance voltage-controlled filters: 1 Low-Pass
Filter, 8 Bandpass Filters, 1 High-pass FiltersEnvelope: VCA EG (Decay)
Analysis Engine SourcesSources: Ext. Input via 1/4" / XLR combo jack or 3.5mm jack with preamplifier.
XLR input supports dynamic mics. Condenser mics may require external
48V power.
PatchbayJacks: 36 x 3.5mmInputs: 19 Input JacksOutputs: 17 Output Jacks
Rear PanelAudio: 1⁄4” TRS Headphone or 1⁄4” TS InstrumentPower: Power supply connectionSecurity: Kensington lock slot
Power Supply (Included)Power Supply: Style: wall adapter; barrel connection; center-pin positiveInput: 100 - 240VAC; 50 Hz - 60 Hz Output: +12VDC; 2.0A
Power ConsumptionTypical: 4.8 Watts
Eurorack SpecsCurrent Draw: 450mA (maximum) from +12VDC (10-pin header)Mounting Dims: 60HP (1.5” Module Depth)
IN THE BOXSpectravox Analog SynthesizerPower SupplyQuickstart GuideProduct PosterPreset OverlaysPatch Cables (5x 12")
699,00 €*
Diese Website verwendet Cookies, um eine bestmögliche Erfahrung bieten zu können. Mehr Informationen ...