Studio Quality Instrument Preamplifier / DI / EQ / Boost Like its big sibling the FELiX, ALiX is built into the same ultra-roadworthy floor unit chassis, portable enough to throw in your bag or strap to your pedalboard, but still deliver studio quality sound to the stage. With the same stunning audio performance and legendary reliability as our pro audio range, ALiX brings open, musical and nuanced sonic character to any performance situation. The same powerful eq section as the FELiX allows simple and intuitive tone shaping. The high pass filter cuts 12dB per octave from 20Hz to 1kHz, and can also be set as a notch filter for chasing down problem feedback or rumble areas. Parametric midrange covers from 70Hz all the way to 8KHz, and fixed low and high controls are carefully voiced for musical shading of bass and treble. Controls are dead simple and clearly marked on the panel, making them easy to read and tweak on a dark stage. Footswitches include a mute / tune switch for muting all outputs except the dedicated tuner out, and a boost switch which activates the 10dB variable boost circuit. The instrument input has a 3 position impedance switch to ensure your pickup system sounds its very best. The isolated DI output with our custom wound transformer delivers stunning clarity and bass response with incredibly low noise. A dedicated, level controlled amplifier output can be used to drive a stage amp or personal monitor, and a dedicated tuner output stays active when all the other outputs are muted. Power is supplied by a universal 100-240VAC input module. 12V phantom is available in the line input for electret / lavalier mics, and we’ve even included a 9VDC 500mA BOSS™ style pedal power output jack, so you can power your tuner and effects right from your ALiX. A TRS insert is included for adding effects. Regardless of what you play - ALiX is designed to help you sound better, play better and deepen the bond between you and your instrument. Available early spring 2016, in black or silver.

Baby Makes Three. In a few short years, FELiX and AliX have become the preamps of choice for discerning touring and recording musicians. From Banjo to bass players, they enable performers to perfect their stage and studio sound beyond what was previously possible. And now directly from this lineage comes BiX, which shares the exact same DNA of its bigger siblings, but with an intelligently streamlined feature set and a price that puts it in reach of any performer, whether on their way to the local coffee shop or the megadome. Controls are dead simple – input gain, high and low shelving EQ, and a 10dB variable boost circuit, with footswitches for mute and boost. I/O includes the instrument input, separate send and return insert jacks, an unbalanced line output, and a balanced ISO DI output on XLR. For enhanced EQ control, rear panel DIP switches select between two different transition frequencies for both High and Low controls. And BiX is pedalboard friendly, with a 9VDC power input and a compact, rugged low-profile chassis. Sonically, BiX is a carbon copy of its bigger siblings, with crystal clear, ultra-quiet audio performance. A better than 30VDC internal operating voltage provides for incredible headroom. The highs are smooth and open, and the lows are deep and rock solid. The dynamics and tone of the instrument come alive with clarity and realism, which translates to creating a deeper bond between you and your instrument. 1/4" high impedance input Separate FX send and return 1/4" unbalanced line output Balanced XLR DI transformer iso output 10dB variable boost Mute and Boost footswitches High and Low shelving EQ Selectable EQ transition frequencies 9VDC operation Over 30V internal operating voltage Pedalboard friendly design 5 year transferable warranty Made in the USA

Der FELiX Instrumenten Vorverstärker von Grace Design ist das Flagschiff von Grace Design. Ausgeführt ist der FELiX als 2-kanal Instrumentenvorverstärker mit Mikrofoneingang und erweiterter Klangregelung, der speziell für professionelle Musiker, Toningenieure, Tonstudios und Beschallungsfirmen mit höchsten Ansprüchen entwickelt wurde.Das robuste Gehäuse von Felix ist für den harten Einsatz beim Touring entwickelt und ist natürlich auch gut gegen Feuchtigkeit und andere äußere Einflüsse geschützt.Felix verfügt über eine umfangsreiche Klangregelung mit parametrischer Mittenentzerrung von 70Hz bis 8kHz, einem High Pass Filter von 20Hz bis 1kHz, der auch als Notchfilter zur Eliminierung von Netzbrummen etc. eingesetzt werden kann. Die Bass Entzerrung erfolgt als Shelving EQ bei 125Hz, die Höhenentzerrung erfolgt als Shelving EQ bei 2kHz.Die beiden Kanäle können per Footswitch aktiviert bzw. umgeschaltet werden. Zudem sind Funktionen wie Boost und Mute über Footswitches schaltbar.Weitere Features sind: Zwei Mikrophon Eingänge mit 48V Phantomspeisung, zwei unabhängige DI Ausgänge mit Trafos, regelbarer Verstärker Ausgang, Ausgang für Stimmgeräte, der auch bei der Mute-Funktion aktiv bleibt, Inserts für Effekte sowie ein Kopfhörerausgang im 1/8″ Miniklinken Format. Ab sofort liefern wir die 2te Felix Version aus. Die neue Version verfügt über folgende zusätzliche Features: Stereo Betrieb durch Dual Mono oder True Stereo unabhängigen FX Loop auf beiden Kanälen oder Stereo FX Betrieb mit Mono oder Stereo Eingang. echter Stereo Ausgang echter Stereo Ausgang für Kopfhörer variable Phaseneinstellung für Kanal 2 erlaubt es die Phase zwischen Mikrofon und Instrument einzustellen. Verbesserter EQ: High Shelving EQ nun mit 1k und 2k Frequenzwahl für verbesserte HF Einstellung. Notch Filter mit optimiertem Q-Range. Verbessertes Netzteil vermindert Erdungsschleifen. Seitlich angebrachte Schutzpanels für Bedienelemente.

8 Channel Remote Controlled Mic Preamplifier / ADC DAW system front end / 8X2 USB interface / remote recording / high-end sound reinforcement From 25 years experience of creating acclaimed professional audio products, comes the latest evolution of our mic preamplifier design: the m108. With eight channels of our transparent, musical mic preamplification, state of the art A/D conversion, multiple digital output formats, and flexible local or remote controlled operation, the m108 is a vital addition to any modern audio production environment. Unrivaled Performance Based on the acclaimed success of our m802 remote controlled mic preamplifier, the m108 distills the best of these achievements into a sleek, elegant 1U chassis design. Our transformerless, transipedance mic preamp design is unmatched in its ability to effortlessly resolve complex sonic waveforms, resulting in recordings of amazing clarity and depth. Integrated A/D conversion delivers digital signals to the workstation that are pure and beautiful. Latest generation s-Lock PLL ensures pristine, jitter free sample clock when clocking from external word clock or Dante clock. And an asynchronous mode USB interface provides the best possible jitter performance when connected to a computer. Simple Operation A push-button rotary encoder is used for navigating and operation, with a user interface that is simple and intuitive. Dedicated push-buttons are assigned to core functions: 48V phantom power, phase reverse, channel grouping and meter peak clear. A crisp OLED screen displays complete system information, including channel gain settings, metering, peak status, and the system setup menu. Powerful Configuration Out of the box, the m108 is ready to go as a stand alone mic preamp / ADC. With integrated serial or MIDI control, the m108 can be confi gured in large channel-count remote systems, with control from our existing m802 hardware remote control unit, from Protools™, or our forthcoming m108 control computer utility. And an optional DANTE™ interface is provided for network audio configurations. The m108 control protocol is backward compatible with the m802 so you can add m108’s to an existing m802 system. 8 channels of balanced analog preamp outputs 8 channels of transparent, musical mic preamplier Wide gain range: -8 to 74dB Ribbon mic mode 8 channels of 192kHz ADC outputs via AES, ADAT (4ch SMUX) and USB Class 2 External Word clock in and out Reference DAC and headphone amplier for low-latency monitoring of channel pairs or USB playback from a computer Channel 1 & 2 HI-Z inputs on front panel High contrast, wide viewing angle OLED display for all system parameters and setup menu Combination RS 485/422 serial / MIDI ports for control from existing m802 RCU or Protools™ RJ45 Ethernet port for network control Expansion slot for optional Audinate / DANTE™ network audio card Cooling fan for reliable operation in the harshest environments Built in 100-240VAC universal AC power supply 5 year transferrable warranty Made in the USA  

Like the updated m801mk2, our freshly redesigned m201mk2 provides a full serving of our unique brand of audio performance. It delivers massive headroom, ultra-wide bandwidth and a very open, musical character. The fully balanced signal path has been refined, resulting in incredible dynamic range. A new power supply design provides the lowest noise performance we have ever achieved. This all means the new m201mk2 will translate a sonic picture of astonishing clarity and detail, which captures the essential character of the music being recorded. Changes over the previous design find the m201mk2 more essential and a bit more paired down. We have eliminated the A/D option as this is functionality is now best served buy our current m108 8 channel mic preamp A/D. We have eliminated the M+S matrix and a few other functions to really focused on making the finest, purist style 2 channel mic preamp we can. These refinements also serve to bring the price down to where even more recording engineers can now afford Grace Design flagship mic preamp performance.

Grace Design M501The m501, is the 500 series module version of the venerable m101 mic preamplifier. Now the signature transparency and detail of Grace's circuit designs is available for your 500 series frame.While the 500 series market has plenty of colored mic preamplifier options, the natural, musical clarity of the m501 makes it a welcome addition to the field. This circuit is for engineers confident with the quality of the source, mic section and placement, and wish to capture it with as little coloration or distortion as possible.The m501 module is a balanced, transformerles design, with 48V phantom, a 75Hz HPF and a 1/4” HI-Z instrument input. Also standard is an exclusive ribbon mic mode, which raises the mic input impedance, bypasses the input decoupling capacitors and deactivates 48V phantom to protect delicate ribbon mics from damage.Large diaphragm, vintage ribbon or trusty dynamic - the m501 brings out the very best in any microphone and takes the guesswork out of your input chain.Features:Fast and musical transimpedance architecture Updated audio path with 0.5% precision metal film resistors New 12 position gold plated rotary gain switch High performance output line driver amplifier and HPF amplifier New Ribbon mic mode (also great for dynamic mics)-  Relay bypass of phantom power decoupling capacitors, increased input impedance, and 48V lockout Wider 10-75dB gain range Enhanced RFI interference suppression Three output connectors: XLR balanced, TRS balanced and ¼” unbalanced Bombproof laser-etched black anodized frontpanel Sealed gold contact relay for Hi-Z input switching Built in power supply / no wall-wart! Led indicators for +48V, Ribbon mode, and HPF Five year warranty on parts and labor Made in the USASpecifications:GAIN RANGE (5dB steps)Mic input 10-65dBHi-Z input -10-45dBOutput trim control 0 to +10dBTHD+N 1kHz, 22Hz-22kHz BW@ 20dB Gain +20dBu out <0.00085%@ 40dB Gain +20dBu out  <0.0010%@ 60dB Gain +20dBu out <0.0050%INTERMODULATION DISTORTION@ 40dB Gain, +20dBu outSMPTE/DIN 4:1 7kHz/50Hz  <0.0020NOISE - REFERRED TO INPUT @ 60dB Gain50 ohm source <-130dB150 ohm source <-128dB600 ohm  source <-124dBCMRR, @60dB Gain, 3.5Vcm100Hz  >55dB1kHz  >75dB10kHz  >65dBPHASE DEVIATION (HPF off)50Hz-25kHz @40dB Gain  <10FREQUENCY RESPONSEMic input @ 40dB Gain -3dB 3.8Hz-288kHzMic input @ 40dB Gain -0.5dB 8.35Hz-135kHzHi-Z input @ 20dB Gain -3dB 1.7Hz-180kHzHi-Z input @ 20dB Gain -0.5dB 4Hz-72kHzIMPEDANCEMic input 8.1k ohmsMic input, Ribbon mode 20k ohmsHi-Z input (unbalanced) 2.5M ohmsHi-Z input (balanced) 5M ohmsBalanced Output  300 ohmsUnbalanced Output 150 ohmsPEAK LED METERGreen threshold  -12dBuRed threshold  +16dBuMAXIMUM OUTPUT LEVEL100k Ohm load, 0.1% THD , 1kHz, API Lunchbox 27dBuWEIGHT and DIMENSIONS0.7 lb H5.25 x W1.5 x D6.6316g H13.34cm x W3.81cm x D16.75cmPOWER CONSUMPTIONCurrent required from +16V and -16V power supplies 120mA MaxFor more information, please visit this products webpage.

In 1994 we released the Model 801 microphone preamplifier, which was the first production model for Grace Design. It set a new standard of sonic quality and reliability for microphone preamplifiers, providing much better performance than the built-in circuits in the recording consoles of the day. It featured independent circuit boards for each channel, gold contact rotary gain controls wired with precision metal film resistors, a musical sounding transimpedance (current feedback) gain stage, gold contact sealed relay signal switching, and there were NO electrolytic capacitors in the signal path. 12 years later, we released the next generation of this preamplifier, renamed the m801, which refined the design features of the previous version, and added a fully differential signal path and Ribbon Mic mode, which optimized the signal path for low output ribbon microphones. Now 20 years later, the next generation is here, now named the m801mk2. Newly designed amplifier circuitry adds to the features of the previous versions while significantly improving noise performance at low gains, increasing low frequency bandwidth for improved phase response, improving RFI/EMI immunity for today’s ever noisier world, and eliminating the external DC power supply for a cleaner, simpler design. Today’s modern recording studio is invariably loaded with incredible sonic processing capability, making the opportunity to add great sounding color routine. But capturing the magic at the front end is still the job of skillfully designed analog hardware, for which there is no substitute. This makes our preamps more relevant than ever. If your source sounds great and your mic is plugged into the m801mk2, you’ll be rewarded with a recording of breathtaking depth and realism. If you choose to color it up from there, you’ll be starting with the best possible raw material you can get.

Der Grace Design m900 ist ein kompakter Kopfhörerverstärker mit digitalen S/PDIF, TOSLINK und USB-Anschluss. Der interne DAC sorgt für präzise Auflösung, so dass sich der m900 nicht nur als hochwertiger Kopfhörerverstärker für HiFi eignet, sondern auch seinen Einsatz im professionellen Studio gerechtfertigt. Über den TOSLINK und den S/PDIF Eingang verarbeitet der m900 Audiosignle mit einer Auflösung von max. 24bit und 192kHz. Über die USB-Schnittstelle können Samplingraten bis zu 384kHz sowie DSD64, DSD128 und DSD256 verarbeitet werden. Und als zusätzliches Feature verfügt der m900 zudem noch über zwei analoge Ausgänge für den Anschluss von Aktivlautsprechern. Wie alle Geräte von Grace Design überzeugt der m900 durch seinen neutralen klaren Sound, sowie durch optimal Haptik.

Analog inputs - unbalanced, balanced, CUE, talkback mic (additional balanced input available on the m905 Analog) Digital inputs - 2x AES3 (Single or dual-wire), 1 S/PDIF, 1 TOSLINK, ADAT (selectable in 4 pairs, or 2 pairs in S/MUX), USB, DSD128 (5.6448MHz) Audio circuitry designed for completely transparent and musical playback performance Asynchronous Class 2 USB playback supports up to 24 bit/192kHz Mastering quality DAC circuitry with configurable de-emphasis filtering s-lock dual-stage Phase Lock Loop for ultra low jitter clock regeneration Hybrid RCU with hardware switches, large level encoder and graphical LCD LCD display shows input, level, output, SPL and DAC status plus a full calibration menu RCU includes built in microphone for talkback and onboard SPL meter SPL meter features include level, peak, fast and slow modes, A & C weighting Precision .5 dB step level control for speakers and headphones Reference headphone amplifier circuitry, with outputs on both the RCU and ACU Dedicated mono, dim, mute and sub mute switches Mono mode can be set to L+R summed, L only in both channels, or R only in both channels L solo, R solo, L-R and sub solo modes are available 3 available stereo speaker outputs, with two assignable mono sub outputs (or single stereo sub output) Multi-mode SUB/ DAC/ METER out SUB out mode for stereo or multiple mono subwoofer outputs DAC out mode for a fixed DAC output fed by the selected digital input METER out mode fed by selected input signal (digital or analog), configurable with a fixed level or to follow yhe monitor level Detachable RCU tilt base

Analog inputs - unbalanced, balanced, CUE, talkback mic (additional balanced input available on the m905 Analog) Digital inputs - 2x AES3 (Single or dual-wire), 1 S/PDIF, 1 TOSLINK, ADAT (selectable in 4 pairs, or 2 pairs in S/MUX), USB, DSD128 (5.6448MHz) Audio circuitry designed for completely transparent and musical playback performance Asynchronous Class 2 USB playback supports up to 24 bit/192kHz Mastering quality DAC circuitry with configurable de-emphasis filtering s-lock dual-stage Phase Lock Loop for ultra low jitter clock regeneration Hybrid RCU with hardware switches, large level encoder and graphical LCD LCD display shows input, level, output, SPL and DAC status plus a full calibration menu RCU includes built in microphone for talkback and onboard SPL meter SPL meter features include level, peak, fast and slow modes, A & C weighting Precision .5 dB step level control for speakers and headphones Reference headphone amplifier circuitry, with outputs on both the RCU and ACU Dedicated mono, dim, mute and sub mute switches Mono mode can be set to L+R summed, L only in both channels, or R only in both channels L solo, R solo, L-R and sub solo modes are available 3 available stereo speaker outputs, with two assignable mono sub outputs (or single stereo sub output) Multi-mode SUB/ DAC/ METER out SUB out mode for stereo or multiple mono subwoofer outputs DAC out mode for a fixed DAC output fed by the selected digital input METER out mode fed by selected input signal (digital or analog), configurable with a fixed level or to follow yhe monitor level Detachable RCU tilt base

The new m908 Monitor Controller is designed for speaker systems up to 24 channels, from stereo to Dolby Atmos™ 22.2 and all formats in between. Built on our legacy of reference audio design, the m908’s audio performance delivers impeccable clarity and detail. Our latest generation AD / DA converters provide incredible dynamic range and resolution, while all new analog circuitry is designed to be effortlessly transparent and musical. The m908 system consists of a mainframe audio control unit, remote control unit, and a power supply with dual-redundant universal input power modules. The remote control is based on our m905 stereo monitor controller, but scaled up to accommodate added features and playback channel count. Standard features include a total of 68 digital input channels via AES3, TOSLINK, S/PDIF, ADAT Lightpipe, and USB2. Outputs include 16 balanced analog output channels and 24 digital output channels. Up to 16 channels of analog inputs are available with the addition of the optional 8 channel ADC modules, and an additional option module slot provides up to 32 additional digital I/O channels via Dante™ or DigiLink™. Up to 24 input channels can be received simultaneously and routed to the 24 channel processor, and sample rates of up to 192kHz / 24bit are supported. A powerful DSP section allows for room correction EQ on every channel, comprehensive bass management features, and individual channel delay. The m908 is a fully self contained plug and play monitor controller, with a full complement of monitoring features including cue channels, built in talkback mic, mono, mute and dim controls, and an exhaustive list of functions relating to surround and immersive playback systems. It is designed to enable professionals and facilities to update their workflows for immersive audio playback with a minimum of effort and cost. Features: 24 channel AES3 digital I/O / 16 channel analog outputs 16 channel ADAT Lightpipe in / USB 24 channel inputs AES3, S/PDIF, and TOSLINK stereo inputs Optional Dante™ or DigiLink™ module for an additional 32 channels of I/O Optional 8 channel ADC module for 8 or 16 channel analog inputs 4th generation s-Lock pll clocking system for vanishingly low jitter High resolution volume control Powerful room correction EQ Complete bass management capability Channel level and delay calibration Comprehensive downmix control Built in SPL meter and pink noise source Powerful and intuitive remote control unit for access to all system controls and calibration Dual redundant external power supply Reference quality headphone amplifier with cross-feed Flexible talkback system with built-in mic on remote control and mic input for external talkback mics Up to 8 stereo CUE paths 4 General Purpose Input and Output pins for interfacing to external systems