Digital Audio Service | Professionelle Audiotechnik

10 %

Buzz Audio SOC-20

The design of the SOC-20 includes the unique Differential Drive Side Chain topology found in the SOC-1.1, This system ensures the compressor will never over compress and dig holes in your audio. The benefits of the DDSC have been well documented in our SOC-1.1 user comments - smooth and effortless analog compression is available at your finger tips.So what's actually new in the SOC-20? Well, we have added a side chain insert point to enable you to apply equalization and change how the compressor acts on a frequency basis. For example, cutting low and high frequencies in the side chain so only the vocal range is compressed on a stereo mix. A side chain monitor function allows you to hear what you are doing to the side chain signal. We have also included a set high pass filter in the side chain which reduces the compressor sensitivity at frequencies below 150Hz.Perhaps the most important SOC-20 feature is the stereo Mid/Side processing mode. At the flick of a switch a discrete Class A sum and difference circuit is enabled so that Channel A now processes the L+R (sum) signal and Channel B the L-R (difference) signal of your stereo mix. This function, along with the side chain insert point, opens up whole new ways to easily manipulate your mixes and achieve the sound you desire.Features: Toasty Class A discrete signal path with flashy Lundahl output transformers. On board Mid Side processor. Side chain insert point on balanced XLR's. Built in side chain high pass filter. Fast attack optical compressor. Applications: Music recording and mixing Post production studios Voice overs and dialog Classical and acoustic music styles Live sound Detailed specifications available soon. Standard Operating Level = +4dBu = 0 VU meter display. Size = 2 Unit 19" rack mount, (482Wx88Hx250D). Power requirements = 230V/115V selectable, IEC detachable power cable.

2.459,00 €* 2.729,00 €*

21 %

Pulse Techniques EQP-1S

Im Jahr 2014 hat Pulse Techniques aufgrund der hohen Kundennachfrage den 3U EQP-1A Programm-EQ wieder in Produktion genommen. Viele unserer Kunden bevorzugen das Aussehen und Layout des größeren Geräts gegenüber dem 2U EQP-1A3 und der EQP-1A ist zu einem unserer beliebtesten Geräte geworden. Fast unmittelbar nach der Ankündigung der Rückkehr des EQP-1A erhielten wir Anfragen für den EQP-1S, die 3HE-Version des EQP-1S3. Für diejenigen, die mit den (ehemals) extrem seltenen EQP-1S/EQP-1S3 nicht vertraut sind, sei gesagt, dass diese Produkte über denselben breitbandigen Line-Verstärker verfügen wie die EQP-1A/EQP-1A3-Geräte, jedoch mit veränderten Kurven für die Anhebung/Abschwächung der tiefen Frequenzen, zwei zusätzlichen Spitzenanhebungen und - was am wichtigsten ist - zwei Kurven für die Anhebung der hohen Frequenzen in der Klangpalette.

4.519,00 €* 5.689,00 €*

10 %

Telefunken DC7 Drum Pack

Telefunken DC7 Drum Pack6-teiliges dynamisches Mikrofonpaket für Schlagzeug im Studio und auf der Bühne.Das TELEFUNKEN DC7 ist ein 7-teiliges dynamisches Mikrofonpaket für Schlagzeug im Studio und auf der Bühne. Die Mikrofone umfassen das M82 für die Kick Drum, das M80-SH für die Snare, drei M81-SH für die Toms und ein Paar M60 FET für die Overheads.1 x M82 mit Stativadapter1 x M80-SH mit Metall- und Kunststoffhalterung3 x M81-SH mit Metall- und Kunststoffhalterung2 x M60 FET mit Shockmount7 x XLR Kabel mit WinkelsteckerFlightcase

2.744,00 €* 3.049,00 €*

10 %

Buzz Audio REQ-2.2 ME Mastering Version

design features the resonance factor The REQ-2.2 mastering equalizer utilises parallel resonant circuits in a clever configuration whereby the bandwidth (Q) of the circuit can be adjusted like an active filter, but without any complex relay switching. The inductor/capacitor resonant "tank" eq circuit runs at a low internal signal level which avoids any inductor saturation effects. The overall result is the sound of real choke based filters with a big open sound, but without the limitation of only a few - or no bandwidth selections as found on traditional choke eq's. audio path quality As you would expect, the REQ uses our BE40 True Class A circuits developed for the MA-2.2 microphone amplifier for superlative audio performance. It also utlilizes our BE44 discrete line driver at the output that acts like a transformer and can respond to balanced or unbalanced loads. But sometimes you might need a bit more color, so we have included a saturation section that introduces measured amounts of low frequency harmonic distortion via a steel audio transformer driven by a single ended tansistor amplifier. The High Pass Filter is placed in the beginning of the eq chain and the Low Band eq section is placed last in the chain. This layout produces the best overall equalizer coherency. operational beauty The large knobs and positive feel of the switching make the REQ a pleasure to operate and everything is visually clear when mounted into a console. In total there are 72 frequency choices per channel with overlapping selections across the four bands so you can always find the centre frequency you are looking for. A looping line XLR input and two parallel XLR outputs provide flexible connection options in the mastering control room. Finally, low glare rustic silver finish and retro Elma knobs give the REQ an impressive look in your rack! controls and functions mastering equalizerEach eq band has a 12 position switch to select the FREQUENCY and another that selects the BANDWIDTH or shape of the bell shape curve (Q) which is adjustable from 1/3 octave to 2 octaves wide. On the High and Low bands, the BANDWIDTH control reverts to shelf SLOPE control when SHELF mode is selected via the push button switch (but not with the Active Low Band option fitted). The Low and High Mid bands frequency range is changed to alternative selections when the FREQ x2.5 mode is selected. Each band also has an IN/OUT switch removing the band completely from the signal path. The BOOST/CUT control is a 23 postion Elma switch with a range of +/-8dB, with 0.5dB steps up to 3dB then 1dB steps to 8dB. Custom ranges and steps can be supplied to special order. On the right side of the front panel are the HIGH PASS FILTER and SATURATION controls with their own IN/OUT switches. The overall SYSTEM IN/OUT controls and the power switch complete the picture. The channel A and channel B push button switches (SYSTEM, HPF and SATURATION) can be grouped by holding down any switch for 5 seconds. This means for stereo work you only need to push either the channel A or B switch to change both channels simultaneously. (This feature only applies to units with serial number Q1110 and up). options mastering equalizerThe REQ equalizer is available in a mastering version only (the recording version has been discontinued).or recording version with different boost/cut ranges as noted above. We are now offering an option for the Low Band section of the REQ. This option replaces the Choke based eq filter with an Active filter which provides a "tighter" bass sound. This option has come about from requests from some users who work with modern music styles in mastering. The only operational difference between the Active and Choke filters is that in Shelf mode, the Bandwidth control does not work as a slope control and is disabled. You can now also order the REQ with Lundahl output transformers. When fitted, the direct balanced line out is available on the LINE OUT 1 XLR connectors and the transformer coupled output on the LINE OUT 2 XLR connectors. There are two Lundahl options, the LL1517 audio C-core or the LL1684 amorphous core. The REQ is now also available with a silver-grey or black face plate.

7.149,00 €* 7.949,00 €*

7 %

Pulse Techniques EQP-1A3-SS

In den frühen 1970er Jahren, nachdem das klassische 3U-Modell EQP-1A in das 2U-Formfaktor-Modell EQP-1A3 (gleiche Komponenten, gleiche Spezifikationen) komprimiert wurde, führte Pulse Techniques eine Festkörper-Version des EQP-1A3 ein. Diese Geräte haben genau dasselbe Frontend (Eingangstransformator und passive EQ-Sektion), nutzen jedoch eine Festkörper-Opamp-Stufe (API 2520), die einen Triad-Ausgangstransformator antreibt, genau wie die Originale.Diese Version des EQP-1A3 wird von einigen Ingenieuren für bestimmte Anwendungen (Kick, Snare, Bass, Klavier usw.) tatsächlich bevorzugt und dient auch als Grundlage für unsere 500er-Serie-EQs. Viele Benutzer dieser Version des Pultec beschreiben sie als „punchiger“ und mit „strafferen Bässen“ als die Röhrenversion. Pulse Techniques, LLC ist das einzige Unternehmen, das lizenziert ist, echte API 2520-Opamps in seinen Produkten zu verwenden. Diese EQs bieten viel von dem Punch und Mojo ihrer Röhrenamp-Gegenstücke, mit nur einem leicht anderen Klangcharakter.

3.539,00 €* 3.789,00 €*

10 %

Telefunken DC6 Drum Pack

Telefunken DC6 Drum Pack6-teiliges dynamisches Mikrofonpaket für Schlagzeug im Studio und auf der Bühne. Das TELEFUNKEN DC6 ist ein 6-teiliges dynamisches Mikrofonpaket für Schlagzeug im Studio und auf der Bühne. Die Mikrofone umfassen das M82 für die Kick Drum, das M80-SH für die Snare, zwei M81-SH für die Toms und ein Paar M60 FET für die Overheads.1 x M82 mit Stativadapter1 x M80-SH mit Metall- und Kunststoffhalterung2 x M81-SH mit Metall- und Kunststoffhalterung2 x M60 FET mit Shockmount6 x XLR Kabel mit WinkelsteckerFlightcase

2.519,00 €* 2.799,00 €*

10 %

Buzz Audio QSP-20

Like most of our microphone preamplifiers, the QSP-20 does not use a transformer at the input. Instead we couple direct to the Class A (BE41) amplifier modules with hi-quality WIMA capacitors. This approach presents a much less reactive load to the microphone and allows it breathe better. In other words, the QSP is like an extension to the microphone and this means you can clearly hear the differences between all microphone types and brands. The HI Z - LO Z switch allows you change the load the microphone sees, and this can produce subtle tonal changes depending on the type of microphone.Another advantage of the direct coupled input is noise - or lack of it. You will discover the QSP has an extremely low noise floor making it useful for low output microphones such as ribbons. The low noise plus the high output headroom results in a preamp with 92dB dynamic range at full gain of 70dB.In addition to the four mic inputs, you also have four high impedance instrument inputs on the front panel. These inputs can be used for keyboards and instruments with unbalanced pickups.Both the mic and line inputs benefit from the sound of the Lundahl* output transformer which exhibits an incredible frequency response right out to 200kHz, whilst adding a subtle amount of harmonic at the lower frequencies. Transients are preserved and the bottom end sounds full and these attributes make the QSP an excellent preamplifier for recording drums and other percussive instruments.Applications Modern music recording Acoustic music recording Mobile recording set ups Drums! Features Toasty discrete Class A amplifiers Flashy Lundahl* audio output transformers Up to 70dB of gain +28dBu output headroom Culmination of 20 years design experience Robust chassis construction On board linear power supplies - no wall warts! Easy to use control layouts Competitive pricing

2.509,00 €* 2.789,00 €*

15 %

Pulse Techniques EQP-1A3

Der 2U (8,89 cm hohe) EQP-1A3 ist eine komprimierte Version des 3U (13,34 cm hohen) EQP-1A. Im Jahr 1971, nach 10 Jahren EQP-1A-Produktion und aufgrund der Nachfrage von Kunden, haben Gene und Ollie die Bedienelemente und Komponenten neu angeordnet, um die Höhe des beliebten Equalizers zu reduzieren. Wie in den ursprünglichen EQP-1A3-Produktbroschüren angegeben: „GLEICHE TEILE, GLEICHE SPEZIFIKATIONEN“. Der EQP-1A3 war das erste Produkt der Pultec-Reihe, das wir wieder in Produktion genommen haben, und es erfreut sich weiterhin großer Beliebtheit. Das Power Station in New York City hatte in jedem Kontrollraum 24 davon! Wir stellen jetzt beide Modelle her, sodass Sie die Wahl haben. Aber seien Sie versichert, beide haben all das Pultec-Mojo, das Sie suchen.

4.229,00 €* 4.999,00 €*

9 %

Telefunken DD4 Drum Pack

Telefunken DD4 Drum PackMikrofone aus der TELEFUNKEN-Dynamics-Serie, kombiniert zu Sets, die hervorragend für Drum und Percussion geeignet sind.Zum TELEFUNKEN DD4 Drum Pack gehört ein TELEFUNKEN M82 für die Kick-Drum, ein TELEFUNKEN M80-SH für die Snare sowie zwei TELEFUNKEN M81-SH-Mikrofone für die Toms. Die Sets werden in einem robusten Hartschalenkoffer mit verschiedenen Mikrofonhalterungen (Kunststoff und Metall) sowie mit vier 5m-XLR-Kabeln mit rechtwinkligem Stecker ausgeliefert. Das Drum Pack TELEFUNKEN DD5 enthält ein TELEFUNKEN M82, ein TELEFUNKEN M80-SH und drei TELEFUNKEN M81-SH-Mikrofone.Das DD4 Drum-Set besteht aus:1 TELEFUNKEN M82 mit Halterung1 TELEFUNKEN M80-SHB mit Halterung (Metall) und Halterung (Kunststoff)2 TELEFUNKEN M81-SH mit Halterung (Metall) und Halterung (Kunststoff)4 x SGMC-5R XLR-Kabel (5 m) mit rechtwinkligem Stecker1 Hartschalenkoffer

1.498,00 €* 1.649,00 €*

10 %

Buzz Audio MA-2.2B

design features So what is new in the MA2.2B: Functions are now controlled with illuminated push button switches with "clickless" operation, no more thumps on the output. The gain pot has been replaced with a calibrated 24 position Elma switch for accurate stereo matching between channels. We have added a useful 19 segment peak output level meter. But, the original audio and power supply design of the MA-2.2 has been retained. buzz audio heritage acoustic guitar mic preampDesigned to provide transparent amplification to reveal the true source, they do not come any better than this. If you wish to record your sounds with the utmost warmth and clarity possible, you have found the tool for the job. And it's not just us blowing our trumpet here, it's what hundreds of users have told us over the years since we began building the very first MA-2 back in 1993, (re-vamped as the MA2.2 in 1999). The MA2.2B is a very high end product designed without low price as a primary goal, so it is an investment for sure. However, the high standard of workmanship and meticulously engineered construction means it will last a life time - something our users who purchased 20 years ago now experience. audio path quality The circuitry used in the MA-2.2B preamp was developed by Buzz Audio designer Tim Farrant in the 1990's and was dubbed "True Class A". The resulting BE40 series of amplifiers exhibit very wide frequency response (into the mega-hertz ) and ultra fast slew rates (140V/uS) even at 60dB of gain. These attributes, plus the inherently low distortion provide the exceptionally pure top end sound of the MA-2.2B. In addition, the over engineered power supply design with localized Class A regulators for each amplifier stage supplies the grunt needed for an authoritive and accurate bottom end - it sounds tight and never over blown. Instead of an input transformer we use a stack of Wima film capacitors and these do not exhibit the low frequency phase problems associated with transformers, and sound MUCH better than polarized capacitors found in competing high end products. applications galore As many of our users have discovered, the MA-2.2B sounds amazingly vibrant when recording acoustic guitar and percussion. It is equally at home on vocal and piano duties - and you will be very surprised how tight a kick drum can sound using this preamp - no more bouncing balls! Stringed instruments, choirs and full orchestras will be reproduced with the full dynamic range they require with zero midrange harshness. One could say, this preamp records everything with an uncanny life-like accuracy. It is virtually uncolored but exhibits a huge amount of vibe and musicality. The low reactance Wima capacitor input stage stack matches well with all microphone types and the noise specification is within 0.5dB of the theoretical minimum possible, so ribbon, capacitor and dynamic mics' are no problem for this preamp. Indulge yourself! controls and functions GAIN dB - a 24 position Elma audio switch to set the gain of the preamp between +14 to +66dB. MUTE - when engaged, the audio output of the MA2.2B is switched off. On power up, the mute is always engaged to avoid thumps on the output. -20dB - when engaged, a 20dB resistive pad is inserted right at the input to cater for high input level signals. Ø REV - when engaged, the polarity or phase of the input signal is reversed 180 degrees. LO-Z - changes the mic input loading from 3k ohms to 1k ohms, which can change the overall tone of the connected microphone. 48V - when engaged 48V phantom power is supplied to the connected microphone. On power up it is always set to off to avoid disasters! POWER - A handy power on/off switch and associated power led, conveniently located on the front panel! options audio output transformerAs standard the MA-2.2B has an unbalanced output, avoiding the extra stages required for the balanced function so as to keep the signal path as simple as possible. If you treat the output of the MA2.2B as balanced, you should have no problem with interconnection to other equipment. The unit can however be supplied or retrofitted with high spec Lundahl LL1517 output transformers. When the transformers are fitted, the direct unbalanced output is still available on the rear panel via a 1/4" jack socket. When fitted, the transformer add a bit more warmth to the sound. (We can also offer the Lundahl amorphous core LL1684 transformer to special order). The MA2.2B is available with a grey (silver) or black face plate.

2.419,00 €* 2.689,00 €*

17 %

Pulse Techniques EQM-1S3

Wie auf der Produktseite des EQP-1S3 beschrieben, ist der 2U EQP-1S3 eine verbesserte Version des EQP-1A3. Der EQM-1S3 (Mastering-Version) geht noch einen Schritt weiter, indem die BOOST/ATTEN-Potentiometer durch 21-stufige (und BW durch 11-stufige) ELMA-Schalter ersetzt werden, die mit präzisen Metallfilmwiderständen bestückt sind, um für jede Steuerung maßgeschneiderte Kurven zu erzielen.Das aktuelle Design implementiert unser „Full-Range, Progressive-Taper“-Design, das für die ersten 50 % der Drehung eine Genauigkeit von 0,5 dB pro Schritt bietet und dann schrittweise größere (1 oder 2 dB) Schritte ermöglicht, wenn die Steuerung von 50 % auf 100 % der Drehung erhöht wird. Dies ermöglicht eine präzise Kontrolle für subtile Equalization bei Mix-Bus- oder ähnlichen Anwendungen sowie den vollen 18-20 dB BOOST/ATTEN der vergossenen Version beim Tracking oder Mischen einzelner Tracks. Darüber hinaus erleichtern die gestuften Steuerungen das Zurücksetzen und das präzise Tracking zwischen den Einheiten ist unerlässlich für den Erhalt des Stereoabbilds, wenn ein Paar am Stereo-Mix-Bus verwendet wird.

5.119,00 €* 6.189,00 €*

4 %

Avid Pro Tools Studio Dauerlizenz Activation Card

PRO TOOLS STUDIOPerpetual (Dauerlizenz) mit Updates & Support PlanActivation Card in BoxPro Tools ist die weltweit am häufigsten verwendete und ausgezeichnete Audioproduktionssoftware für Musik, Filme und Fernsehsendungen und bietet alles, was zum Erstellen, Aufnehmen, Bearbeiten und Abmischen benötigt wird. Mit einer umfangreichen Sammlung von Plugins, Instrumenten und Sounds kann ganz einfach Musik gemacht werden. Mit den integrierten Audioschnittstellen und Steuerungsoberflächen, auf die sich Profis seit Jahren verlassen, sind höchste Klangqualität und Geschwindigkeit garantiert.Im Lieferumfang ist der Updates & Support Plan für 12 Monate enthalten, welcher zusätzlich folgende Leistungen bietet: Alle Software Updates innerhalb des Zeitraums Standard Support (online) Complete Plugin Bundle Pro Tools PlayCell, GrooveCell und SynthCell HEAT Zugriff auf den Inner Circle Der Updates & Support Plan kann jederzeit mit einem Perpetual Upgrade (AVPTUPVESD) um jeweils 12 Monate verlängert werden, auch wenn der bisherige Plan schon abgelaufen ist. Wird der Plan nicht verlängert, kann die Pro Tools Lizenz als solche natürlich weiterhin mit der zuletzt zur Verfügung gestellten Version, als der Plan noch aktiv war, verwendet werden. Dem Anwender stehen dann alle Pro Tools Werks-Plugins zur Verfügung, nicht jedoch alle Zusatzleistungen, die an den Updates & Support Plan gebunden sind. Ein Perpetual Upgrade bringt die Dauerlizenz wieder auf den aktuellen Stand.Systemanforderungen Stets aktuelle Infos: https://avid.secure.force.com/pkb/articles/compatibility/Pro-Tools-System-RequirementsEinlösen des Lizenzcodes So aktivieren Sie Ihren Pro Tools-Lizenzcode: https://avidtech.my.salesforce-sites.com/pkb/articles/en_US/How_To/Pro-Tools-Redemption?retURL=%2Fpkb%2Farti_1 Ausbaustufe Pro Tools Studio Audio Spuren 512 Aux Spuren 128 Instrument Spuren 512 MIDI Spuren 1.024 VCA Spuren 128 Master Spuren 64 Video Spuren 1 Routing Folder 128 Native Ein/Ausgänge 64 Support Standard (alle Updates innerhalb des Zeitraums, Online Support) Unterstützte Hardware nativ (Core Audio/ASIO) + Carbon + S6L DigiLink Lizenz - Surround/Atmos/Ambisonic Mischungen ja Clip FX Clip FX Editing Bounce Mix Multistem ja AAF/OMF Import/Export ja Pro Tools Sketch ja Mitgelieferte Plugins Complete Bundle (Artist Bundle + Pro Series + 304 + X-Form + Revibe II) - an einen gültigen Updates & Support Plan oder Subscription gebunden HEAT ja - an einen gültigen Updates & Support Plan oder Subscription gebunden GrooveCell/SynthCell Virtuelle Instrumente ja - an einen gültigen Updates & Support Plan oder Subscription gebunden Celemony Melodyne 5 essential ja - an einen gültigen Updates & Support Plan oder Subscription gebunden SoundFlow Cloud Avid Edition ja - an einen gültigen Updates & Support Plan oder Subscription gebunden Inner Circle ja - an einen gültigen Updates & Support Plan oder Subscription gebunden - nicht bei Mehrplatzlizenzen (EDU Institute und Multiseat Lizenzen) Sonic Drop ja - an einen gültigen Updates & Support Plan oder Subscription gebunden - nicht bei Mehrplatzlizenzen (EDU Institute und Multiseat Lizenzen) EUCON Kompatibilität ja iLok Schutz ja, iLok Cloud oder physischer iLok

669,00 €* 699,00 €*

10 %

Buzz Audio Essence

The essence is a True Class A Optical Compressor designed to fit the API* 500 VPR Series rack frames offering a great feature set in a compact package. The essence will find application with those seeking a musically transperant compressor for all tracking and mixing tasks, and it sounds particulary outstanding when processing voice and bass tracks. The essence - the Heart 'n' Soul of your next recording! The essence control circuit design is based on the Buzz Audio SOC-1.1 Stereo Optical Compressor but the main audio path utilises our BE40 and BE50 True Class A amplifiers along with high spec Lundahl* input and output transformers. The input transformer is directly coupled to the Buzz proprietary Opto gain reduction element (completely passive input), amplified and then balanced via the output transformer - a very simple but gutsy signal path! The essence control circuitry utilizes the Differential Drive Side Chain (DDSC) topology that was developed for the SOC-1.1. This system, which processes positive and negative audio waveform in seperate paths, provides the incredibly musical characteristic you will hear with this unit. The DDSC design also provides for a much faster attack time compared to most other LDR based optical compressors. Simple side chain equalizers have been provided to allow the user to adjust the sensitivity of the compressor at high and low frequencies. In addition, a side chain insert point is provided for more complex EQ and compressor 'keying'. The essence consumes 2 slots within a 500 Series rack. The input/output (I/O) connectors associated with the first slot carry the main audio path. The I/O connectors associated with the second slot are used for a side chain insert point (send and return). The insert can be switched in/out of circuit and monitored via front panel switches. Rack Compatibility The essence power consumption of 120mA is higher than other 500 series modules, but because this demand is spread over two slots (60mA each) it should work fine in all available racks. features API* 500VPR Series rack module format - plug in and play! Advanced analogue technology - not a clone or copy of products from the past. Powerful fully discrete hi-bias, wide bandwidth, differential Class A amplifiers. Passive transformer coupled input, transformer coupled output Side chain insert point Side chain monitor selector On board side chain EQ Unique Differential Drive Side Chain design May be linked to multiple essence units within one rack Switchable 10 segment VU meter Frequency Response with no gain reduction = 14Hz to 107kHz, +/ 1.5dB Maximum Input Level = +25dBu Maximum Output Level = +27dBu Total Harmonic Distortion Measured at 0dBu input, no gain reduction, make up Gain 0dB 100Hz = 0.1%, 1kHz = 0.015%, 10kHz = 0.002% Measured at +10dBu input, 20dB gain reduction, make up Gain +15dB, Attack AUTO, Release 16 100Hz = 0.1%, 1kHz = 0.015%, 10kHz = 0.005% Residual Noise = 95dB A wtg, 150ohm source Z, make up Gain 0dB Make up Gain Range = 0dB to +15dB Maximum Available Gain Reduction = 25dB S/C HI EQ Boost/Cut = 8dB @ 10kHz S/C LO EQ Boost/Cut = 8dB @ 100Hz Main Audio Input Impedance = 20k ohms, bal or unbal Main Output Impedance = 100 ohms bal or unbal Sidechain Send Output Impedance = 100 ohms unbal Sidechain Return Input Impedance = 44k ohms bal or unbal Sidechain Max Input/Output Levels = +22dBu Size = (3'Wx5.25'H). Fits 2 spaces in API 500VPR Series rack format Power requirements = 120mA +/ 1518 volts DC, as supplied by rack power supply. Für weitere Informationen, besuchen Sie bitte die Homepage zu diesem Produkt.

959,00 €* 1.069,00 €*

13 %

Pulse Techniques EQP-1A

Der EQP-1A, ein klassischer Pultec-Equalizer, bietet den charakteristischen Vintage-Sound, der ursprünglich entwickelt und gefertigt wurde nach den Original-Spezifikationen. Dieses Produkt besitzt den gesamten „Mojo“ eines Vintage EQP-1A/EQP-1A3 EQs.

4.619,00 €* 5.289,00 €*

51 %

Newfangled Audio Generate

Novel chaotic oscillator has 8 types: Double Pendulum, Vortex, Pulsar, Discharge, Turbine, Helix, Crescent, and Magma Wavefolders based on the Buchla 259 Complex Waveform Generator, Fractals, and a special Animated Equation Low Pass Gate based on the Buchla 292 adds controls for POLES and RESONANCE Modulate all controls with MIDI/MPE, two Looping Envelopes, two LFOs, Sample and Hold/Random, and a Step Sequencer Innovative modulation UI allows modulation over almost every control from the main page, allowing up to 957 modulation routings in a single pane Innovative EQ, Chorus, Delay, Reverb, and Limiter effects to turn the sounds into magic MPE support allows amazing control from expressive controllers All mod sources have multiple outputs generated at once, and they can modulate each other, just like a modular synth Animations! The Double Pendulum, Wavefolder, and Low Pass Gate modules each have animations to show how each module responds to your input, and to modulation Color Schemes! Don’t like the look of it, change it Resizable UI Over 600 Presets, including many renowned artists

49,00 €* 99,00 €*

9 %

Buzz Audio Elixir

The elixir preamplifier module is an excellent compliment to the 'fatter' sound of many modules now available in the API* 500VPR Series format and has been designed to provide exceptionally low noise wide bandwidth amplification of microphone and instrument signals. The elixir will suit those who desire a recording preamplifier where just a slight amount of bass colour is added to the original signal whilst retaining full treble extension and a smooth midrange - warm, sweet, liquid - the perfect blend. The elixir circuit design is roughly based on the now famous Buzz Audio MA-2.2 mic preamp and utilises two BE40 True Class A amplifiers in a transformeless input arrangement. Following this is the output stage comprising of two newly designed BE50 True Class A high current audio buffers that drive a Lundahl LL1517 output transformer. As can be seen from the distortion specifications, the presence of the Lundahl output transformer adds a subtle amount of harmonic at low frequencies thereby enhancing the bottom end but without sacrificing the wide bandwith needed for good clarity and transient response in the top end. The output configuration of the elixir results in a maximum output level of +34dBu before clipping, which means it can comfortably deliver clean audio into all analogue or digital recorders without overload. Gain range of the microphone input is 22dB to 70dB or -2dB to 50dB with the -20dB pad selected. More than enough for ribbon microphones. The input impedance (selected with the IN Z switch) is 4000 ohms in the H position or 1200 ohms in the L position. The instrument input on the elixir features a 'bootstrapped FET' high to low impedance convertor that then feeds the elixir amplifier stages. Selection of the instrument input is automatic when a jack is inserted on the front panel input. API* 500VPR Series rack module format - plug in and play! Advanced analogue technology - not a clone or copy of products from the past. Fully discrete hi-bias wide bandwidth differential Class A amplifiers. Matched and selected semiconductors. Transformerless input, straightline single path. High performance Lundahl output transformer. 41 position max trimmed GAIN control. Optimized 'grunty' Class A amplifiers for the input/output functions. Output Mute and Hi/Lo input impedance switches. Accurate four LED peak level meter. Min Gain Mic = +22dB (-2dB with pad in) Max Gain Mic = +70dB Min Gain Instrument = +12dB (-3dB with pad in) Max Gain Instrument = +60dB Maximum Output Level = +34dBu into 3k ohm load. Frequency Response Mic = 10Hz to 300kHz @ 20dB gain (-3dB). Frequency Response Instrument = 10Hz to 120kHz @ 20dB gain (-3dB). Harmonic Distortion measured at -20dBu input level, gain adjusted for +10dBu output level Mic = 0.15% @ 100Hz, 0.01% @ 1kHz, 0.005% @ 10kHz Instrument = 0.15% @ 100Hz, 0.015% @ 1kHz, 0.015% @10kHz EIN Mic = -132.5dB A wtg, 150ohm source Z. Signal to Noise Ratio Mic = -73dB A wtg, input shorted. Signal to Noise Ratio Instrument = -76dB A wtg, input shorted. CMNR Mic = -78dB @ 100Hz, -100dB @ 1kHz, -100dB @ 10kHz. Input Impedance Mic = 4k ohms/1k2 ohms switchable. Input Impedance Instrument = 1MEG ohms/20k ohms switchable. Controls = Gain, Mute, Phase Reverse, 20dB input Pad, Input impedance, Phantom pwr. Indicators = 4 LED peak reading meter. Size = (37Wx132H). Fits 1 space in API(TM) 500 series rack format Power requirements = 150mA +/- 15-18 volts DC, as supplied by frame power supply. Für weitere Informationen, besuchen Sie bitte die Homepage zu diesem Produkt.

779,00 €* 859,00 €*

7 %

PSI Audio Sub A225M Metal Black

Der A 225-M ist die optimale Ergänzung für alle PSI Lautsprecher. Er kann sowohl als Mono-Subwoofer in einer Surround-Anordnung oder als Basserweiterung in einem Stereo-System verwendet werden. Alle PSI Lautsprecher sind mit einem regelbaren Bassfilter für die Anpassung an den A 225-M vorbereitet. Die untere Grenzfrequenz Systems sinkt dann auf unglaubliche 28 Hz ! Um Stabilität zu gewährleisten und Gehäuseresonanzen zu vermeiden, ist der A 225-M im 2 Boxen-Design gefertigt. Eine perfekte Tiefbass-Erweiterung für jedes Monitor-System. Viel Druck, gepaart mit Dynamik und Präzision. Einsatzbereiche Subwoofer in SurroundInstallationen Basserweiterung für StereoSysteme Recording / Mastering Technik Aktiver Subwoofer Magnetisch geschirmt Integriertes AOI (Adaptiv Output Impedance) PSC (Phantom Standby Control) ALG (Ideal Acoustic Impedance Adaptation) System 2Gehäuse Design Power RMS 200 W Für weitere Informationen, besuchen Sie bitte die Homepage zu diesem Produkt.

3.999,00 €* 4.299,00 €*

16 %

Warm Audio WA-8000

Introducing the WA-8000 tube condenser microphone. The inspiration for our latest release is a highly sought-after and revered design of the early 1990s. The WA-8000 lives up to the sonic legacy that continues to foster die-hard fans to this day. Boasting a natural, open top end, supremely clear midrange, and the ability to render detail in a vocal performance unlike most other mics on the planet, let alone in this price range. Engineered true to spec, the WA-8000 meets all of the critical specifications of the original, giving you the true sound of modern R&B and Hip hop for an unprecedented value. Features New Old Stock 6AU6 tube: Rigorously tested, military-grade 6AU6 tube. Custom transformer from Lundahl Sweden: The highest grade transformers for the widest soundscape and most detail. All-brass K67-style capsule, wired straight to the tube: Custom machined out of solid brass. Optimized to capture subtle nuances External tube mount + heat sink: Lowers self-noise and draws heat away from internal components for optimal operating temperature. Boutique 7-pin GAC-7 tube cable from Gotham Switzerland: Vintage-correct construction methods, highly upgraded components, near-perfect signal transfer. Includes hard carrying case for all components: Safely transport your mic anywhere with the ultra-durable Warm Audio carrying case.

1.139,00 €* 1.349,00 €*

10 %

Buzz Audio DBC-20

key features discrete Class-A transistor amplifiers transformer saturation progressive ratio control hard and soft modes seamless compression bass mode rich harmonic content & color reasonable price excellent on vocals in detail The DBC-20 is a new take on a vintage technique utilizing a gain reduction element of silicon diodes in a balanced bridge arrangement. The diode bridge is coupled via a "radio steel" laminated transformer of our own design. This element produces a desirable compression character that can best be described as tight, colourful and rich with harmonics. In the style of compressors from the 60's, the DBC-20 incorporates a self-adjusting ratio whereby the compression ratio is progressively increased with deepening gain reduction. This feature allows for the control of very dynamic signals (such as vocals) in a seamless fashion. The DBC does sound very vintage but does not carry the vintage price tag! The DBC-20 audio path uses our Class A discrete amplifier design in a balanced configuration from input to output. Operation of the compressor is easy with six switched attack and release times, a big knob for the amount of compression and an output gain control. The compressor can be switched to a Soft mode whereby dynamic peaks are partially retained. Another switch introduces a high pass filter to the side chain to lower compression sensitivity at low frequencies. These features make the DBC an ideal tool for manipulating drum sounds and samples. Each channel has a bypass switch and the side chain of the two channels can be linked for stereo operation. The large knobs with pointers allow for accurate resetting of the compressor and the fast response 15 LED bar graph meter accurately displays gain reduction. controls Gain - variable pot that adds gain at the output to correct for lost level with 15dB range. Compression - variable pot that sets the amount of compression. Attack - rotary switch with 6 settings, FAST (less than 0.5mS)-5mS-10mS-15mS-25mS-50mS. Release - rotary switch with 6 recovery time settings, 50mS-100mS-200mS-400mS-600mS and AUTO. Hard/Soft - adds dynamics in soft mode for times when light compression is required. Flat/Bass - reduces compression sensitivity at low frequencies. Bypass/Engage - hard wire unit bypass to compare compressed and uncompressed signals. There is also a handy power On/Off switch and the Link A/B which provides for stereo tracking to prevent image shift when used on the mix buss.

1.599,00 €* 1.779,00 €*

2 %

PSI Audio Sub A125-M

Features: Power: 225W Frequency Range: 28Hz – 100Hz SPL Max: 106dB 100% Analog – No DSP Flat frequency response Phase compensated for a better stereo image Class G Amplifiers Built in anti-resonance system in a double box cabinet individually calibrated Typical listening distance: from 1m Handmade in Switzerland

2.899,00 €* 2.969,00 €*